"One ought, every day at least, to hear a little song, read a good poem, see a fine picture
and, if possible, speak a few reasonable words. " ~Goethe

~ also, if possible, to dwell in "a house where all's accustomed, ceremonious." ~Yeats

Friday, June 28, 2013

Ancestors

ACCUSTOMED, CEREMONIOUS
Paternal Grandparents

~ Recent Family History ~
a poem
by Ernest Sandeen (1908 - 1997)
Looking out at us from their photographs,
mothers and fathers, aunts and uncles,
now dead for forty - five years or more,
don't recognize us, can't even imagine us.
And we are helpless to penetrate the safety
of their innocence . . .

from Collected Poems (237)

Maternal Grandparents

" . . . we start [that which] we will not live to see,
just as our ancestors could not live to see us.
And yet they, who passed away long ago, still exist in us,
as predisposition, as burden upon our fate, as murmuring blood,
and as gesture that rises up from the depths of time."

by Rainer Maria Rilke (1875 - 1926)
from Letters to a Young Poet (62)

I've never forgotten a dream that I had one night when I was in my early twenties. My mother's parents seemed to be right beside my bed, sitting in rocking chairs, sipping tea (or was it Sanka?) from china cups. In reality, my grandfather was still alive at the time, though my grandmother had died fifteen years earlier. It was not a dreamy or dreamlike dream; it was more of a visitation, consisting of a single scenario and one line of dialogue: my grandmother saying to me, "You are very American aren't you?" What could that mean? They were just as American as I, born in America, as were their parents, who had immigrated several generations before. We were not new to the Country, so my American - ness should come as no surprise to them.

Upon waking, I interpreted the dream as their way of granting me permission to forge ahead into a future which, as Rilke says, they would not live to see, reassuring me that my way of being in the world was going to be different than theirs had been . . . and that this was okay with them. Over the years, I have not remembered many dreams, but this one remains as vivid to me as the night my grandparents came to acknowledge that beyond a certain point, they could no longer imagine me, yet I would always have their blessing and their unconditional love.

"We have all rejected our beginnings
and become something our parents could not have foreseen."

by Robertson Davies (1913 - 1995)
from Fifth Business (248)

I love seeing my my maternal grandmother
in these outfits, obviously some of her favorites,
that she chose for having her photograph taken.
Such stylish footwear and that extravagant hat!



Her older brother, known for his photography, had promised her a photo session, and she was hoping to model something elegant, but he had a radical idea: if she wanted another picture taken, she could pose in his baseball uniform. Not her idea of finery, but she reluctantly agreed -- the first and last time in her life to don a pair of trousers. Perhaps he convinced her by insisting that "A hundred years from now, this photo will be a family treasure, cherished by your grand-daughter!" If so, how right he would have been!
On the back, my grandmother has written:
"Rovilla in ball suit"

In another treasured photo,
here is my paternal grandmother, also defying convention.
On the back, my Aunt Sue has written:
"Our Momma in slacks.
This is the only time I ever saw her in slacks."

~~~~~~~~~~~~~~~~~~~
Bristow Ancestors
Click to see slideshow & hear music by Gerry McCartney
~ Also On YouTube ~


Gerry's Paternal Great - Grandparents and Great - Aunts

We tried to recreate their unusual pose . . .

and thought it would be even more fun
to replace the newspaper . . .

with a 21st Century equivalent.
Something our parents could not have foreseen!


~~~~~~~~~~~~~~~~~~~

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Sunday, July 14th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com


Peace Concluded 1856
by John Everett Millais
I love the uncanny similarity between the above photograph
of Gerry's great - grandparents and this painting,
depicting a wounded British officer reading the Times
newspaper report of the end of the Crimean War.

Friday, June 14, 2013

When the Iris Blows Blue

ACCUSTOMED, CEREMONIOUS
Irises
painted by Vincent Van Gogh (1853 - 1890)

"How well he has understood the exquisite nature of flowers!"
French art critic Octave Mirbeau (1848 - 1917)

The irises were lovely this year. Every spring, when they bloom, I think of Rukeyser's poem "Iris": "blue below blue . . . blue before blue . . . blue behind blue." As the opening line reveals, this is really a poem for May, but I think that it is equally suited to mid - June. For one thing, the irises often continue well past the middle of the May. For another, today is Flag Day, and I can still remember from childhood that my grandmothers always called these stately waving flowers by their popular common name: flags.

Iris
1
Middle of May, when the iris blows,
blue below blue, the bearded patriarch-
face on the green flute body of a boy
Poseidon     torso of Eros
blue
sky below sea
day over daybreak violet behind twilight
the May iris
midnight on midday


2
Something is over and under this deep blue.
Over and under this movement, etwas
before and after, alguna cosa
blue before blue
is it  
           perhaps    
                             death?
That might be the wrong word

The iris stands in the light.


3
Death is here, death is guarded by swords.
No. By shapes of swords
flicker of green leaves
under all the speaking and crying
shadowing the words the eyes     here they all die
raging withering       blue evening
my sister death the iris
stands clear in light


4
In the water - cave
ferocious needles of teeth
the green morays
in blue water     rays
a maleficence     ribbon of green     the flat look of
eyes staring     fatal mouth staring
the rippling potent force
curving into any hole
death finding his way.


5
Depth of petals, May iris
transparent     infinitely deep they are
petal - thin      with light behind them
and you, death,
and you
behind them
blue behind blue
What I cannot say 
in adequate music
something being born
transparency     blue of
light standing on light
this stalk of
(among mortal petals - and - leaves)
light


Muriel Rukeyser
American Poet (1913 - 1980)

Iris the Rainbow Goddess
photograph from Vatican City ~ by TheCityGoddess

The iris plant takes its name from the Greek word for rainbow ~ iris ~ and the closely related eiris, meaning messenger. The elegant, delicate flowers are also named after Iris, Goddess of the Rainbow. As daughter of a marine god and a cloud-nymph, Iris is a goddess of both sea and sky. To read more about her roles as personification of the rainbow and messenger of the Olympian Gods, take a look at these beautiful explanatory sites: Owl's Daughter and Theoi.

Rukeyser's poetry is rich in Biblical and classical allusion; in "Iris" she draws on the Greek gods to make an unexpected connection. She sees the tall flag - like flowers with their sword - like leaves not only as rainbows and messengers, but also as a unique combination of Poseidon, God of the the Sea, and Eros, the God of Love. The iris blossom is an aged Poseidon, "the bearded patriarch," while the lithe stalk and narrow leaves remind her of a youthful Eros, "green flute body of a boy." Together they form the flower we love. Eros is an airborne god, and Poseidon rules the sea. Taken together, these two elements, air and water -- like Iris herself -- combine with light to create that phenomenon we love -- the rainbow.

While some still refer to the multi - colored irises as "flags," others call them "swords," as Rukeyser does in this poem: " . . . death is guarded by swords. / No. By shapes of swords / flicker of green leaves." Poseidon and Eros each possess a sword of sorts, Poseidon controling the calm and storm of the sea with his trident; Eros controling the calm and storm of human hearts with his golden - or (for those less lucky in love) leaden - tipped arrows.

Iris as flower, flag, sword. Iris as rainbow, goddess, messenger. Iris as air, water, and sky. Both Muriel Rukeyser and Louise Gluck (in the following poem) honor the complexity of this remarkable plant. In both poems, the flowers are respected as messengers from the afterlife, traveling back from the otherworld, offering new perspectives on mortality and light.

Irises ~ Van Gogh

The Wild Iris
At the end of my suffering
there was a door.

Hear me out: that which you call death
I remember.

Overhead, noises, branches of the pine shifting.
Then nothing. The weak sun
flickered over the dry surface.

It is terrible to survive
as consciousness
buried in the dark earth.

Then it was over: that which you fear, being
a soul and unable
to speak, ending abruptly, the stiff earth
bending a little. And what I took to be
birds darting in low shrubs.

You who do not remember
passage from the other world
I tell you I could speak again: whatever
returns from oblivion returns
to find a voice:

from the center of my life came
a great fountain, deep blue
shadows on azure seawater.

Louise Gluck
American Poet (b 1943)

Related Post: "This Life Flies"
on THE QUOTIDIAN KIT
(my blog of shorter almost daily posts)

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Friday, June 28th
P.S.
More Louise Gluck:

Penelope, Who Really Cried

More Muriel Rukeyser:
La Cucaracha
Icarus, Who Really Fell
Lot's Wife, Who Gave Her Life For a Single Glance
All the Little Animals
Another Good Poem by Muriel Rukeyser
The Wrong Answer