Shakespeare and Company Bookstore, Paris
On the right is my friend Victoria, who has been around the world!
Recipe for Happiness
Khabarovsk or Anyplace
One grand boulevard with trees
with one grand cafe in sun
with strong black coffee in very small cups
One not necessarily very beautiful
man or woman who loves you
One fine day
Lawrence Ferlinghetti
American, b. 1919
Gustave Caillebotte ~ French, 1848 - 94
I guess Ferlinghetti feels that to say "Paris" -- rather than "Khabarovsk or Anyplace" -- would be simply too obvious; whereas, in the next poem, "Paris" becomes the substitute code word for something even more obvious and too often cliched:
In Paris With You
Don’t talk to me of love. I’ve had an earful
And I get tearful when I’ve drowned a drink or two.
I’m one of your talking wounded
I’m a hostage. I’m marooned.
But I’m in Paris with you.
Yes I’m angry at the way I’ve been bamboozled
And resentful at the mess that I’ve been through
I admit I’m on the rebound
And I don’t care where are we bound.
I’m in Paris with you.
Do you mind if we do not go to the Louvre,
If we say sod off to sodding Notre Dame,
If we skip the Champs Elysees
And remain here in this sleazy
Old hotel room
Doing this and that
To what and whom
Learning who you are,
Learning what I am.
Don’t talk to me of love. Let’s talk of Paris,
The little bit of Paris in our view.
There’s that crack across the ceiling
And the hotel walls are peeling
And I’m in Paris with you.
Don’t talk to me of love. Let’s talk of Paris.
I’m in Paris with the slightest thing you do.
I’m in Paris with your eyes, your mouth,
I’m in Paris with . . . all points south.
Am I embarrassing you?
I’m in Paris with you.
James Fenton
British, b. 1949
Photographed by my niece, Sara Carriker, 2013
And one more poem about Paris in which the last line says it all:
"I've been to Paris . . . "
As Children Together
Under the sloped snow
pinned all winter with Christmas
lights, we waited for your father
to whittle his soap cakes
away, finish the whisky,
your mother to carry her coffee
from room to room closing lights
cubed in the snow at our feet.
Holding each other's
coat sleeves we slid down
the roads in our tight
black dresses, past
crystal swamps and the death
face of each dark house,
over the golden ice
of tobacco spit, the blue
quiet of ponds, with town
glowing behind the blind
white hills and a scant
snow ticking in the stars.
You hummed "blanche comme
la neige" and spoke of Montreal
where a québecoise could sing,
take any man's face
to her unfastened blouse
and wake to wine
on the bedside table.
I always believed this,
Victoria, that there might
be a way to get out.
You were ashamed of that house,
its round tins of surplus flour,
chipped beef and white beans,
relief checks and winter trips
that always ended in deer
tied stiff to the car rack,
the accordion breath of your uncles
down from the north, and what
you called the stupidity
of the Michigan French.
Your mirror grew ringed
with photos of servicemen
who had taken your breasts
in their hands, the buttons
of your blouses in their teeth,
who had given you the silk
tassles of their graduation,
jackets embroidered with dragons
from the Far East. You kept
the corks that had fired
from bottles over their beds,
their letters with each city
blackened, envelopes of hair
from their shaved heads.
I am going to have it, you said.
Flowers wrapped in paper from carts
in Montreal, a plane lifting out
of Detroit, a satin bed, a table
cluttered with bottles of scent.
So standing in a Platter of ice
outside a Catholic dance hall
you took their collars
in your fine chilled hands
and lied your age to adulthood.
I did not then have breasts of my own,
nor any letters from bootcamp
and when one of the men who had
gathered around you took my mouth
to his own there was nothing
other than the dance hall music
rising to the arms of iced trees.
I don't know where you are now, Victoria.
They say you have children, a trailer
in the snow near our town,
and the husband you found as a girl
returned from the Far East broken
cursing holy blood at the table
where nightly a pile of white shavings
is paid from the edge of his knife.
If you read this poem, write to me.
I have been to Paris since we parted.
Carolyn Forché
American, b. 1950
SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Friday, June 14th
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THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com
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my running list of recent reading
www.kittislist.blogspot.com
