To Live Even One Day

ACCUSTOMED, CEREMONIOUS

On the Esopus, Meadow Groves, ca. 1857–58

&

Cows in the Meadow, 1878

both paintings by Scottish - American Artist
William M. Hart, 1823 - 1894

There are so many things to say about Mrs. Dalloway, Virginia Woolf's elegant interior novel of one day -- plus flashbacks -- in the life of Clarissa Parry Dalloway. Is it my favorite novel? I always hesitate to choose only one, but it just might be, especially after I earned the nickname of "Clarissa / Mrs. Dalloway" a couple of different times:

1. Once by an old grad school friend who said: "Maybe you're not the life of the party in a class clown kind of way, but you are CLARISSA DALLOWAY" (this was after we had taken one of those personality profiles that placed me higher than I thought was accurate on the "social butterfly / loves company" scale).

2. And again by a friend who alluded to Mrs. Dalloway when she wrote to congratulate me upon being included in an historical house tour: "Congratulations! Glad you had a good house tour, Clarissa. Sounds like a lot of work, but you love doing it and wouldn't consider not. You go, super mom, super Mrs. Dalloway. Did everyone behave with proper respect, or were they touching your stuff and leaving their BIG GULP cups all over the place? Did you have to dress up like a house slave, or were you allowed to be Mrs. O'Hara? (Remember the "Designing Women" episode when Julia's house is on a tour?) Perhaps you wore an elegant Ann Taylor dress and cooly answered questions regarding the age of the fireplace. Or, in true British fashion, retired to your private quarters during the tour (pronounced too-ah). By the way, I have yet to read that book so I hope my Mrs. Dalloway hostess attribution is a good one!" I assured her that am always honored to be compared to Mrs. Dalloway and that, yes, her reference made perfect sense!

I vividly recall walking into the theatre (Ritz at the Bourse, Philadelphia, 1997) right in the middle of a preview for Mrs. Dalloway. Without any prior knowledge of this upcoming film or verbal hints (voice over or text on the screen), I knew, the instant I saw the depiction of London streets and houses and Vanessa Redgrave in her gorgeous Virginia Woolf dress and hat: "It's Mrs. Dalloway!" In that sudden "moment of being," I was transported to the last page of the novel when Peter Walsh looks across the room and says, "It is Clarissa."

So where do you start? How do you solve a problem like Clarissa? "Down, down into the midst of ordinary things . . . the supreme mystery . . . was simply this: here was one room; there another. Did religion solve that? Or love?" (193, emphasis added).

Mrs. Dalloway (Vanessa Redgrave) on the balcony,
glancing across the street into her neighbor's room


I'll begin with a letter I received from my sister Peggy last summer. I was excited when she told me she was reading Mrs. Dalloway. I hoped that she would love it as much as I do, and I gave her permission to go ahead and watch the movie version even if she hadn't finished the novel yet. I know some may disapprove, and I surely wouldn't recommend that in all cases, but this excellent movie is so consistent, so true to the novel word for word, and so beautiful, that I made an exception!

Soon after Peg finished the novel, she wrote: I've been meaning to write for several days now to tell you two of my favorite lines:

"She was for the party!"
[Response from me: What a great party quote! I have always loved Peter Walsh's comment, but after Peg's note, I began to think that "She was for the party!" is an even better encapsulation of the essence of Clarissa.]

and [returning to Peg's letter] Clarissa's description of Sir Harry:

"'Dear Sir Harry!' she said, going up to the fine fellow who had produced more bad pictures than any other two Academicians in the whole of St. John's Wood (they were always of cattle, standing in sunset pools absorbing moisture, or signifying, for he had a certain range of gesture, by the raising of one foreleg and the toss of the antlers, 'the Approach of the Stranger' --all his activities, dining out, racing, were founded on cattle standing absorbing moisture in sunset pools)" (266).

I just love the thought of such a banal subject as cows standing around in ponds at sunset "absorbing moisture." Still makes me smile.

Cows Watering

Seems that Woolf may have had artist William M. Hart in mind
when she created the character of Sir Harry.
I told Peg at the time that her observation about the cow painting was perfect for my Quotidian blog because she expresses so well the thought that the cows are quotidian! Sir Harry keeps us grounded -- maybe in a boring way, but also in a good way!

Peg went on to say: I've watched both of the movies, Mrs. Dalloway and The Hours. I liked them both, and they did play well with the book, but I have to say that The Hours was a sad movie. Brenda let me borrow her copy which had commentary by the various actors, writers, and producer(s) which explained some parts of the movie that I had difficulty understanding, but they didn't make it any less sad. The book had it's sad parts, but the movie seemed to be just one sad tale after another with no real joy. I think they needed Sir Harry and his paintings to lighten the movie a little.

My response: Remember Clarissa's thought right at the beginning of Woolf's novel: "she always had the feeling that it was very, very dangerous to live even one day" (11). That's the one line that has stayed with me more than any other from the first time I ever read Mrs. Dalloway.

Perhaps it is also very very sad to live even one day. Clarissa conveys as much when she hears about the death of Septimus Warren Smith, and makes the startled observation: "Oh . . . in the middle of my party, here's death" (279). Maybe that explains the deep sadness of The Hours -- it concentrates more on death than on the party. [See also the conclusion of my post "American . . . Gothic," for a little twist on the idea of "death in the middle of the party, a successful allusion, I hope.]

I was thrilled with the movie of Mrs. Dalloway but skeptical to learn that Michael Cunningham's contemporary (1998) novel The Hours was woven around Mrs. Dalloway. I was filled with misgiving at first: how dare anyone touch Woolf's masterpiece! I love Mrs. Dalloway so much, I wasn't sure that I wanted to see it experimented with. However, it turns out that Cunningham's re - perception of Woolf's novel is equally and amazingly beautiful. I became a true believer in no time; after only a few pages, I was mesmerized by Cunningham's finely crafted novel and the way in which it honors Woolf. You may remember that Virginia Woolf's first title idea for Mrs. Dalloway was The Hours, thus Cunningham's choice of title. What he has done is use Virginia Woolf as a character in his novel, plus a contemporary New Yorker named Clarissa Vaughan, and a 1940's housewife, Laura Brown, who is reading Mrs. Dalloway just a few years after Woolf's suicide. The Hours is really a hymn -- can't think of a better way to say it -- to Virginia Woolf and Mrs. Dalloway.

Just as I found the movie of Mrs. Dalloway more beautifully done and true to the novel than I would have ever imagined possible, so too was the subsequent movie of The Hours, starring Meryl Streep and Ed Harris. It's hard, impossible really, for me to imagine what reading or seeing The Hours would mean if I were unfamiliar with Mrs. Dalloway. Possibly Michael Cunningham is such a genius that the reader can still love his story without the literary background of Woolf and her contemporaries. I can't say for sure since there's no way for me to go back and read The Hours without knowledge of Mrs. Dalloway. Of course, each book / movie stands alone as a complete creative expression; so I guess you could read or see them in any order: Mrs. Dalloway, book and movie; then The Hours, book and movie. Or maybe both books, then both movies. You pick! How can you go wrong?

Vanessa Redgrave as Clarissa Dalloway


Meryl Streep as Clarissa Vaughan


Several years back (2004), Gerry, Ben, and Sam allowed me to orchestrate a Christmas Day Film Festival, to include Mrs. Dalloway and The Hours. Both movies are so perfectly rendered and aligned with the books that the boys could follow every single nuance -- they were not too young for it. I hope one day they'll read the novels; but, if not, they've got those stories and a bit of Virginia's prose inside their heads now, one way or another.

Which is to say, if you absolutely can't find time to read Mrs. Dalloway, then go ahead and watch the film and consider yourself ready to view The Hours. Both books and both movies are now and forever on my list of all-time favorites; and I would happily recommend all four to anyone in search of a literary project for the summer. Anticipating the fact that you might miss a few allusions along the way, here are some to look for:

1. In addition to the Mrs. Dalloway parallels, Cunningham also includes an extended allusion to Doris Lessing's story "To Room Nineteen." Laura Brown's quest for personal space is taken straight from Lessing, with Laura even checking into Room 19 when she goes to the hotel to contemplate suicide and read Mrs. Dalloway for the afternoon.

2. Yet another passage in The Hours calls to mind the artist Lily Briscoe in Woolf's novel To the Lighthouse. [See my post on Mrs. Ramsay: "A Little Strip of Time," 12 May 2012]

In Woolf's novel, while seated at Mrs. Ramsay's famous dinner table, Lily Briscoe's mind wanders away from the conversation as she thinks of her painting: "She remembered all of a sudden as if she had found a treasure, that she had her work. In a flash she saw her picture, and thought, Yes, I shall put the tree further in the middle; then I shall avoid that awkward space. That's what I shall do. That's what has been puzzling me. She took up the salt cellar and put it down again on a flower in the pattern in the table-cloth, so as to remind herself to move the tree . . . There's the sprig on the table-cloth; there's my painting; I must move the tree to the middle; that matters -- nothing else . . . her spirits rose so high at the thought of painting tomorrow that she laughed out loud . . . she would move the tree rather more toward the middle" (To the Lighthouse, 128, 130, 140, 154). Not until the last page of the novel does the idea for the final stroke occur to Lily, when she takes out the old rolled up painting and finally finishes it at long last.

Likewise, Cunningham's character in The Hours daydreams of the creative process while arranging the silverware: "As Laura set the plates and forks on the table--as they ring softly on the starched white cloth--it seems she has succeeded suddenly, at the last minute, the way a painter might brush a final line of color onto a painting and save it from incoherence; the way a writer might set down the line that brings to light the submerged patterns and symmetry in the drama. It has to do, somehow, with setting plates and forks on a white cloth. It is as unmistakable as it is unexpected" (The Hours, 207).

And then there's Clarissa Dalloway, who

"was going that very night to kindle and illuminate;

to give her party. . . .

All was for the party."
(6, 56)
SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Thursday, June 28th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Sunset With Cows
by Scottish - American Artist ~ William M. Hart, 1823 - 1894

Who's Afraid? Fear Not!

A WRITER, ACCUSTOMED, CEREMONOUS
"Let us not take it for granted that life exists more fully
in what is commonly thought big than
in what is commonly thought small. . . .
Down, down into the midst of ordinary things."

1902 & 1927


Rest in Peace Virginia Woolf:
25 January 1882 ~ 28 March 1941

"I am now galloping over Mrs. Dalloway. . . . The reviewers will say that it is disjointed because of the mad scenes not connecting with the Dalloway scenes. And I suppose there is some superficial glittery writing. But is it 'unreal'? Is it mere accomplishment? I think not. . . . it seems to leave me plunged deep in the richest strata of my mind. I can write and write and write now: the happiest feeling in the world." ~ Virginia Woolf, December 13, 1924

**********************

Fear no more the heat o’ the sun,
Nor the furious winter’s rages;
Thou thy worldly task hast done,
Home art gone, and ta’en thy wages:
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o’ the great;
Thou art past the tyrant’s stroke;
Care no more to clothe and eat;
To thee the reed is as the oak:
The scepter, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning flash,
Nor the all-dreaded thunder stone;
Fear not slander, censure rash;
Thou hast finished joy and moan:
All lovers young, all lovers must
Consign to thee, and come to dust.

No exorciser harm thee!
Nor no witchcraft charm thee!
Ghost unlaid forbear thee!
Nothing ill come near thee!
Quiet consummation have;
And renownèd be thy grave!

Shakespeare
from Cymbeline (Act IV, Scene 2, 2656 - 2689)

The opening lines of this Shakespearean song are quoted
several times by Clarissa Dalloway in Woolf's novel:

Fear no more the heat o’ the sun,
Nor the furious winter’s rages. (13)

"Fear no more," said Clarissa.
Fear no more the heat o' the sun. (44)

. . . the world seems to be saying "that is all" more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.” (59)

. . . she repeated and the words came to her,
Fear no more the heat of the sun.
She must go back to them. But what an extraordinary night. (283)

Google Doodle on Woolf's 136th Birthday

**********************

Sometimes the connections are all about connections.

Armin van Buuren:
"Everyone’s connected but no one is connecting."
from the song: "Alone"

Joan Didion:
"In this light, all narrative was sentimental. In this light
all connections were equally meaningful and equally senseless."
from the essay: The White Album

Kurt Vonnegut, Jr.
"If there's the slightest connection,
it's worth thinking about."
from the novel Player Piano

Donna Tartt:
"What held me fast . . . was the element of chance:
random disasters . . . converging on the same unseen point . . .
You could study the connections for years and never work it out
-- it was all about things coming together, things falling apart,
time warp . . . a way of seeing things twice, or more than twice.
. . . a field awareness of unseen patterns . . . ."(305)

"To try to make some meaning out of all this seems unbelievably quaint.
Maybe I only see a pattern because I've been staring too long. But then
again. . . maybe I see a pattern because it's there." (768)
from the novel The Goldfinch

Annie Barrows
"In books . . . things were connected; people did something
and then something else happened because of that.
I could understand them. But outside, here in the real world,
things seemed to happen for no reason that I could see.
Maybe there was no reason." (374)

"Did most girls my age feel the way I did, as if the people
I thought I knew had turned out to have a thousand little tunnels*
leading away from the face they showed the world? . . .
The buried parts, now, they were fascinating but ominous, too." (128)
from the novel The Truth According to Us

Virginia Woolf:
"I should say a good deal about The Hours [later entitled Mrs. Dalloway]
and my discovery: how I dig out beautiful caves* behind my characters:
I think that gives exactly what I want; humanity, humor, depth.
The idea is that the caves shall connect
and each come to daylight at the present moment."
from A Writer's Diary
~ Thursday, August 30, 1923 ~

*I'm also seeing a connection here between Woolf's "beautiful caves"
and Barrows' "thousand little tunnels . . . fascinating but ominous"!

**********************

The previous year, Woolf had written:

"Mrs. Dalloway has branched into a book;
and I adumbrate here a study of insanity and suicide;
the world seen by the sane and the insane side by side
-- something like that. Septimus Smith? is that a good name?"
~ Saturday, October 14, 1922 ~

And in 1998, film critic Jack Kroll wrote:

Mrs.Dalloway's day is climaxed by her party, Smith's by his suicide. But these contrasting events are two parts of a symbolic whole, Virginia Woolf herself. Mrs. Dalloway is a Woolf without the genius, while Smith's fate prefigures the troubled Woolf's own suicide in 1941 [on March 28th]. In her notebook Woolf wrote, 'Mrs. D seeing the truth. SS seeing the insane truth.'"

from "Down in the Upper Crust:
Virginia Woolf's Landmark Novel Dazzles on Screen"
in Newsweek, March 2, 1998

**********************

In conclusion, only last month I was dismayed to find this trivializing assessment (an opinion I suppose shared by many) of Clarissa Dalloway's immersion into the details of one perhaps ordinary yet fateful day. In a book about teaching that I otherwise liked very much, Heather Kirn Lanier writes:

"In college, I'd spent my years studying the narrative stances of Virginia Woolf, appreciating the relative plotlessness of Mrs. Dalloway a book in which, let's face it, not much happens."

Au contraire! For Woolf's characters, it is a day filled with grief, intropsection, tension; and enlarged understanding. Oh dear. One does not throw a party -- nor encounter death in the midst of that party -- everyday. Still, though, I was touched to read that Kirn Lanier's students mistook her black and white postcard of Virginia Woolf to be "some great - grandmother of mine" (47, 77).

Virginia ~ Woolfpack
SEE YOU IN TWO WEEKS ON MY
Next Fortnightly Post
Saturday, April 14th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading ~ "Makin' a list, checking' it twice . . ."
www.kittislist.blogspot.com

The Second Page

ACCUSTOMED, CEREMONIOUS

January Sunrise

Advice for the New Year:
"Arm yourself with clairvoyance!"
from French Composer and Pianist,
Erik Satie, 1866 - 1925
This is the beginning of Year Four for my Fortnightly blog of Connection & Coincidence; Custom & Ceremony, a mental space where the threads of art and life intertwine until a pattern emerges from the chaos. Four years ago, as I was getting the blog underway, my friend Eve -- also a writer and a teacher of writing -- asked me if I had a Dream Job in mind for my Inner Scholar. Indeed I did!

Back in September 2009, I posted my Mission Statement of what I hoped to accomplish in every blog post: to generate some literary analysis -- scholarly yet painless -- about how literature fits into every hour of every day; to share and interpret what I have recorded and remembered over the years; to include a running update of my current reading; and to explain how it all fits together with the little things that actually happen in real life throughout the course of any given day -- in manner of Mrs. Dalloway!

To celebrate the New Year -- and because January is a time to look backward as well as forward -- I thought I'd gather up the positive responses that I have received from supportive friends and readers who assure me that there's something to my project of combining the life, the literature, and the visuals.

For example, I was inspired by Len's view of my blog as an "anthology," in the medieval "flowers of literature" sense of the word. I learned something new that day -- that anthologia comes from anthos (flower) + logia (collection, collecting) = flower gathering. Similarly, florilegium in medieval Latin derives from flos (flower) + legere (to gather) = a gathering of flowers. These collections of "fine extracts from the body of a larger work" were initially culled from religious, philosophical, or scientific writings, eventually coming to describe books of botany (actual flowers!) as well as collections of poetry, epigrams, favorite quotations, and "beautiful passages from authors."

Literary flower gathering! Definitely a Dream Job! Thus is today's bouquet gathered from the encouraging words and unique perspectives for which I owe my kind followers -- such as Jack, for instance, who always praises, comments, and shares -- many, many thanks! To those mentioned above and below and all the hundred others who goad me on my way . . . I get by . . . gonna try . . . with a little help from my friends . . . and family: Gerry, who not only "likes" but loves me; and Ben and Sam who delight me every occasionally with a "Hey, Mom, I read your blog!" [Okay, I'm saving my long list of sibs for next time!]

Len also said -- "your blog is a public service"

Melinda said -- "thanks for always showing us the second page"

Charlotte said -- "thank you, Kitti, Assembler of Beautiful Juxtapositions"

My "lasting literary fan" Cate said --
"So glad you document all of this.
When people ask you what you do just tell them that you are a documentor.
What's that?
I document things silly. I am the observer."

Ann and Paula were both kind enough to review my blog on their blogs!

Jill most sweetly posted -- "I'm inviting my friends to visit my friend, Kitti's, blog. You will find that she writes, most eloquently, about a variety of interesting ideas and topics, some of which will surely capture your attention and, possibly, your heart."

Jan is always willing to share and collaborate -- "My dear friend Kitti knows literature like no one else. When I first met Kitti in graduate school, she said, 'Literature helps me live my life.' I have always remembered that. Today, Kitti dedicated her Fortnightly Blog entry to my writing. I am so humbled and touched. It's delightfully Kitti, and it's also me! What a treat."

Kisses to our mutual friend Jes who wrote: "How courageous of you to insist on beauty and thoughtfulness every day in this, the 21st century! What a brave blogger you are! Thank you for drawing my attention to Jan's journal in your blog.

"Yay for both of you, journaling, blogging, thinking, creating! May the workings of your beautiful brains never cease. I've always had good taste in friends, you know. It's so reassuring to see that my instincts were then and are now perfectly sound"

And it must have been Victoria Amador who said -- "You have a way of synthesizing the ideas of literature and explaining them in a way that makes sense even in our mundane world. I think the essay is really your literary forte--forget about the collegiate constraints and go for your own book of essays." [Like Vickie, "I hate to brag . . . well, that's not true!"]

Etta wrote at length: "I told you about the dooce blog because it makes me think of you. It's snarky, funny and in the end she knows what to value in life and can express it. In the end, she describes how I feel about life. I know that lots of your friends see those same things in you that I do.

"I have been appreciating your blog. I think the best part is your use of literary quotes to describe the joy in your life. It is put together like the Hallmark cards I always imagined you creating, but better. Who knew you would be so computer savvy? Your entries are beautifully crafted and written and terribly literary. (Those who can, should.) Do you think you will ever add daily life anecdotes? You and your family are terribly interesting and I would love to hear more. Tell us a good story about your kids.

"You are going to be unstoppable now. Who knew that you would be so inspirational in your writing. It seems like the whole world opens up to you when you read poetry, and I know you have many poems just waiting to share with us."

[Etta concluded, "I wish I had the nerve to post a comment but I'm not sure I have the courage to have lots of other people read my writing." Well, Et, now they have! Thanks for being so optimistic on my behalf, and for sharing with us all!]

Eileen suggested that "The Fortnightly Kitti Carriker is a medium whose own being is a message -- not a mere channel but an offerer of love / motivation / comfort to fit the occasion. Better than seemingly random information coming at you from the great beyond, it aids the receiver in transcending, more of a transmission, in its best sense, vs a trance-emission.
‎
"Creatively chosen, there is agency as well as receptivity, but it seems to me that some folks do their thing with an eye toward referring back to 'authorities' while others use extant literature creatively to respond to current circumstances, each more or less (just my bias, no slur on the first sort, just not my tribe). I like to collage the classical stuff and ~ omg! ~ I think I am about to say repurpose."

Collage? Repurpose? No kidding, Eileen! These terms are going to be just perfect my next post . . . see you in a fortnight!

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Monday, January 28th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

10 Movies, 10 Images

A HOUSE WHERE ALL'S
ACCUSTOMED, CEREMONIOUS

Peter's Friends ~ well worth watching
not only for the drama but also for the quirky
and lavish Christmas decorations of Wrotham Park

A few months back, I participated in an introspective facebook quiz organized by none other than Master of Revels Steven LaVigne. The challenge was to post pictures from 10 films that have had an impact on you: 10 movies, 10 images, no text required, though I myself can rarely resist a bit of text. The idea was to have a little fun while waiting out the summer quarantine. When it comes to movies, however, I was already thinking ahead to Christmas, so my list comes out at half and half. Of course, there are so many more possibilities; but, on impulse, I went with the following visuals that jumped most readily to mind:


Choose Me

Harriet the Spy

Desperately Seeking Susan

Airport 1975

Mrs. Dalloway

~ Now for some Thanksgiving ~ Christmas ~ New Year Favorites ~


A Child's Christmas in Wales

James Joyce's The Dead

Home for the Holidays

Christmas Vacation

Truman Capote's A Christmas Memory

Next Fortnightly Post
Thursday, January 14th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Commonplace Book

A HOUSE WHERE ALL'S ACCUSTOMED, CEREMONIOUS

"It smells good here," she said.
It did. It had the indefinable smell of a perfectly - kept,
well - loved American home; the smell found nowhere else on earth.
A smell of cleanliness and polish and Ivory soap and potted plants
and baking bread -- the sweet warm smell of simplicity and abundance.
. . . everything in the room felt kind and gentle and safe."

~ Marcia Davenport ~
from The Valley of Decision, 407
[More on my Book Blog]

Regular as clockwork, yet another Fall Semester has arrived, with all the excitement and promise of course descriptions and syllabi! Risking repetition, I thought the beginning of the academic year (see previous post also!) would be the right time for a review of my fortnightly initiative. The following outline is drawn from several previous posts -- Mission Statement, The Second Page, Pastiche -- and was prepared as a presentation for the American Literature Club of West Lafayette, Indiana, where my dear friend Elizabeth offered me the opportunity to share my work with the club members at their annual spring dinner meeting.

Naturally, I began with a special thanks to Elizabeth for her constant support in our various shared endeavors such as music, parenting, exercising, and -- our focus of the evening -- reading, writing, and blogging. To narrow the topic, Elizabeth asked me to please answer the question for well - read audience, with varying degrees of computer savviness: "What is a Literary Blog?"

To define simply, a blog is a personal website or web page -- technically a WEB LOG (thus the shortened "BLOG") on which an individual can record opinions, proverbs, poems, letters, essays, movie reviews or book reports -- along with photographs and helpful links to other sites. Adding new material or updates on a regularly basis is called blogging: Web Logging!

It is a digital journal or Commonplace Book that will be unique to whatever its keeper finds of interest, e.g., the clean metallic lines of the graceful leaves above (photographed earlier this summer at the at the Wynn / Encore in Las Vegas) and Marcia Davenport's blissful description of early twentieth - century homemaking. How are these apparently random items related? The blogger gets to impose the pattern! That's the beauty of blogging! All you need to do is choose your topic, decide how you want to organize your material, master a few simple functions on the keyboard, and hit "publish."

Five years ago, as I was getting the blog underway, my friend Eve -- also a writer and a teacher of writing -- asked me if I had a Dream Job in mind for my Inner Scholar. Indeed I did! [Litterateur & Dilettante]

Always present in my mind whenever churning out an insight or two to share with a kindred spirit such as Eve, was the question, now how can I make that my work for the day? Because it feels so good, like an accomplishment. You know that old cliche that you know you're a writer if you just have to write every day? Well for me that doesn't mean I'm driven to lock myself in my room writing a novel, or stay up all night writing poetry; instead, it's more about articulating the daily worries and outrages and obsessions, then lining them up with the poems and stories and essays that will bring a little order to the chaos.

If I can take an hour or so to press beyond blathering, to organize all that angst and nonsense, channel all that anxiety into the written word, search out the literary parallels, send it out to an audience who "knows" (in manner of Carson McCullers), then I arise from my computer and say to myself, "Whew, that was a good morning's work," though I'm the first to admit that it's also play. The work of writing -- the discipline of daily expression, the task of scratching it all out, the quest of tracking down an old nearly forgotten poem or recovering a stray thought that's perfect for the moment before it gets away, the struggle with meaning, the satisfaction of connecting -- can feel so necessary yet also vaguely, if not blatantly, like a selfish indulgence, an undeserved luxury.

I wanted to create a space where the threads of art and life intertwine until a pattern emerges from the chaos; to generate some literary analysis -- scholarly yet painless -- about how literature fits into every hour of every day; to share and interpret what I have recorded and remembered over the years; to include a running update of my current reading; and to explain how it all fits together with the little things that actually happen in real life throughout the course of any given day -- in manner of Mrs. Dalloway.

To accomplish these quasi - para - academic goals, I designed three blogs:

a Book List -- which I update once a month with a brief description of what I've been reading recently

a Quotidian blog -- which I update -- not daily, but every other day or so with seasonal snippets, light verse, photographs of my cats, whatever comes to mind

and -- the page you're reading now -- my Fortnightly Literary Blog of Connection & Coincidence; Custom & Ceremony:

I have to thank my husband Gerry for the "Fortnightly" suggestion. He pointed out that readers would need to know how often to expect a new post. Not only did a two - week interval seem reasonable, but the term "Fortnightly" which I no doubt learned from reading English novels in my girlhood -- would lend a British flair to the literary enterprise.

Next, I chose as my watchword Goethe’s suggestion that

“One ought, every day at least,
to hear a little song, read a good poem, see a fine picture,
and, if possible, speak a few reasonable words.”
Whenever my readers open The Fortnightly on their computer screens, I wish for them to encounter each item on Goethe's list:

a little song -- and amazingly, thanks to you-tube, I can include not just all of my favorite lyrics but also links for listening;

a good poem -- this would be my forum for sharing selections from all the wonderful poetry that I have been reading and collecting in notebooks for the past few decades;

a fine picture -- my favorite hobby has always been combining quotations and pictures into handmade posters, greeting cards, and scrapbooks for family and friends. On my blog, I could pursue this hobby, using my own photography or other beautiful photos and artwork found on the internet;

and last but not least -- a few reasonable words.

Goethe makes it sound so simple, I thought I'd give it a try, tying songs and poems together with just the right visuals and, hopefully, a few worthy observations of my own on the theme of connection & coincidence; custom & ceremony.

Connection: I wanted, if possible, to create a place of connections, in the spirit of E. M. Forster, who implores us in "Howards End" to connect: "Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect . . . ." I want to capture all the unexpected connections that amaze and surprise and suggest a pattern.

Coincidence: For me, nothing tops those moments when Life offers its own theme to a strand of apparently accidental events, and everything hangs together for a moment in such an uncanny way that you'd swear it was all planned out somehow! Those are the literary connections and coincidences that I am always on the lookout for, not that they require much tracking down, since they usually find me before I find them.

For example, I pulled together one of my earliest blog posts one morning back in 2009 when I came downstairs just in time to hear my son Sam saying: "It's my lucky rock; Mom gave it to me." Turns out, my husband was asking about the shiny rock that he had just seen Sam pick up from his desk and drop into his pocket. I was touched by Sam's belief in lucky rocks and by his sentiment of hanging on to a talisman from his crazy old mom. It was, however, no more than a fleeting morning moment -- yes, sweeter than most but still fleet -- until it suddenly took on a life of it's own.

Sam left for school and Gerry for work. I sat down to review my friend Jan's latest batch of short stories. I had read them earlier and was just collecting my thoughts to comment, when suddenly, my eyes fell on the title, "Pocket." How had I missed this entry, pocketed as it was, right there in between "Heart" & "Fable," which I had read several days ago? Can you imagine my astonishment when just a few lines into the story, the heroine exclaims: "Not even a lucky rock"?

A lucky rock? Like Sam's! What's the odds?

Sometimes, life is so full of coincidences that I think my head will split open trying to take them all in! It's enough to make me believe in the whole Universe at once! Here I was, sitting alone, reading a story about the very object my loved ones had been discussing a mere thirty minutes earlier. And not just any object, but a lucky, magic object, "something to keep forever." And now I know why I had previously overlooked "Pocket," -- because Fate was saving it up for me, a lucky story to read on a lucky Friday! Because, to quote Jan, we all need stories -- "clear, round, and easy to carry" -- in our hearts.

************
Back in college when I worked on the literary magazine, I was known as the editor with "a poem for every poem" because no matter what I read, I was always reminded of something else -- kind of like that "Scooby-Doo" episode -- if you remember the old cartoon -- when Daphne asks Velma -- the girl with glasses, the bookish one: "Do you have a book for every occasion?" And Velma answers, "Actually, yes." A poem for every poem, and a book for every book!

Along the same lines, just a few weeks ago, a couple of old friends shared the following funny, complete with sentiments such as

"Was there an old song written for every occasion?"
"Yes! I think there was!"
Or as my sister Di expressed it:
"Life is a musical!"

A poem for every poem . . . a song for every song.
Haha -- but true!
In addition to Connection and Coincidence, I wanted the blog to include my favorite passage from Yeats' poem "A Prayer For My Daughter." Naturally, he wants so many things for her, but chiefly a heart full of "radical innocence" and a life
"Rooted in one dear perpetual place . . . a house
Where all's accustomed, ceremonious."

"How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree."
From childhood -- perhaps impressed upon me when I first read The Little Red Story Book -- at any rate, certainly long before I ever read Yeats -- one of my goals was to organize the kind of home described in his poem, where order would triumph over chaos and no holiday would ever go unremarked: accustomed and ceremonious, familiar yet celebratory.

Thus the line from "A Prayer For My Daughter" has become the perpetual caption for the opening picture of every Fortnightly Blog Post. I hope that in some way (though not always in the same way) these photographs and illustrations will portray "a house where all's accustomed, ceremonious." Sometimes it's my own house (or former houses), other times, a cathedral, a log cabin, a playground, sites of historical interest or fame, a neighborhood mural, a village mosaic, a medieval tapestry.

In the early days of my blog, my older brother, who like me, studied English in college, asked me, "Do you have an encyclopedic memory of poems or a really good search engine? You seem to always find one that fits the occasion. Cool trick. Guess I shoulda paid more attention in one of those literature classes that I seem to have forgotten."

A funny question. But luckily, the answer is Yes, I have both -- the memory and the search engine! On the serious side of constructive criticism, he suggested: "You are a true master in linking nuggets of wisdom, wit, and rational thought, but I see so little of the inner Kit. Or perhaps, I just haven't been reading enough of your blogs."

I really liked his comment about my nugget - linking skills, because it's true -- some entries are just a quotation linked with picture, but it's always a good match, one that no one else would have thought of, or even found (because I'm the careful reader, that's the objective of my blogging). I took his words to heart and trust that, as he read further, he encountered to a greater extent my inner voice -- which I'm sure is there! -- in addition to the voices of so many writers whose work I admire.

My creative writing teacher in college once wrote in the margin of my paper: "What's at stake here?" I have never forgotten that comment and think that my brother may be asking a similar question. What I took away from his advice was the need to take more personal risk, go out on a limb, bare more of my soul, embarrass myself a little bit, move beyond "So what?" And, yes, I have tried to test these limits (see for example "Never Fear").

The blog is a good place to experiment and push the envelope. In the meantime, I strive to deserve the great faith that my friend Jes, who teaches in Boston, has placed in this enterprise: "How courageous of you to insist on beauty and thoughtfulness every day in this, the 21st century! What a brave blogger you are!"

I see now that Goethe (1749 – 1832) was asking his 18th & 19th Century audience to search for the same: beauty and thoughtfulness -- in a song, a poem, a picture, a few reasonable words.

Flower Gardens, Carosel, and Wall Art (above)
at the Wynn / Encore, Las Vegas

In closing,
many thanks to my supportive friends and readers
for their ultra - kind observations:
Nancy T.: "Sing! Thanks for all the blogs -- photos, poems, book titles. Some days you are my own only source or mental stimulation. May you keep on singing!"

Pat F.: "I just want you to know that your blog today was one of the most touching and meaningful ever! Actually, I have read it several times, and listened to the music. The first time through, I was absolutely in tears! It realllllly touched me on so many levels. Thanks for being a friend and such a talented writer. . . . Thank you for this beautiful article today. It really touched me!"

Barbara T.: "this is amazing. I learn so much from you and marvel at the beauty of the paintings, photographs, memorabilia and WORDS that you share. Thank you. Barbara T."

Tim Th.: "Thanks, Kitti for your unending eloquent endeavor; it is a reading pleasure I enjoy!"

Len O.: "Your collections of objects and archives of documents and photographs make you the FB Smithsonian. I am always struck by the high quality of your nature and celestial photographs (assuming you are not funded by NASA), as well as the archives of photos and objects you have from your life (including your friends)."

And in reply: "I am honored to serve in the capacity of facebook archivist! Would that I were funded by NASA! I just use a little Canon PowerShot recommended by my niece Sara & my friend Natasha. Len, thanks again for your kind words, especially about my friends. As Shakespeare / Bolingbroke says: "I count myself in nothing else so happy / As in a soul remembering my good friends" -- including you & everyone else on this post!"

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Sunday, September 14th

Between now and then, read
THE QUOTIDIAN KIT ~ Course descriptions and syllabi!
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com