In conjuction with my grandmother's 134th birthday.
BELONGING TO ROVILLA
~ ACCUSTOMED, CEREMONIOUS ~ My grandmother's tooled leather wallet.
Mary Rovilla Heidemann Lindsey
(October 8, 1891 - June 14, 1966)
That's how it went. We had to decide that day what to save and what to throw away. No more procrastinating, as our elders had done. We applied ourselves to the task and wore ourselves out emotionally, making the decisions -- some easy, some hard. Satisfied with the results of our familial effort, we each went away with a small heap of dusty treasures -- and the rest went to the dump. We had to use our own best judgment and trust that we had not inadvertently trashed any valuables. Even I, the most sentimental archivist and border-line hoarder of the family, felt satisfied with the culling and de-possessing (i.e, The Swedish Death Cleanse).
However, just as I was dropping off to sleep that night, a sudden stray thought disturbed my peace of mind: Grandma's Sewing Box. Halfway through the day, one of my brothers had held it up, "Look what I found!" I had not laid eyes upon it nor even thought of it for decades, but there it was, exactly as we remembered, about 12" x 16" and 6" deep, covered in a faded lime green fabric with small orange hexagons and maybe a line-drawn snowflake design inside of each hex. Kind of a cross between calico and Art Deco and Pennsylvania Dutch. A definite keeper for the "save" pile. What a treat it would be to open it later that evening -- like a time capsule -- to see what had been hidden away inside all these years: my grandmother's scissors and thimbles, her last bit of embroidery or mending, her older brother's pencil drawings, her own fashion designs on scraps of paper, maybe a card or tiny present that I myself had given her.
But where was it? I knew for certain that it was not in my "save" pile or anyone else's. What had happened? Someone else called my name to "come and see"? Another task caught my attention? Another choice to make? Whatever it was, I had missed out the crucial step of setting that treasure box aside, and now it was gone from me forever. I cried myself to sleep that night, and many nights after, before gradually accepting the finality of the loss.
After that, I started playing this little game in my head whenever I need to part with some bygone artifact; I look at whatever it is I can’t decide about and say to myself, “If you can live without Grandma Lindsey’s sewing box, you can live without this.” Sometimes it’s easy — like a pile of plastic hangers. Other times, more of a struggle. Whenever I start to grieve some valuable (to me) object that I have lost in one way or another, I simply compare it to the sad mistake of losing the sewing box. For example, of all the things I've thrown away with no regret, I kind of wish I'd kept my Weekly Reader collection, along with my junior high art portfolio; but I can live without them, right?
As usual, literature can help. A couple of years later, while reading of a lost pearl earring, my heart broke a little more, but also healed a little. On a forced train ride to a Japanese internment camp, on top of all her other losses, the mother loses a favorite earring, and her little son asks:
"It looked like a pearl," she said.
"It was a pearl."
"Maybe it rolled behind the seat."
"Or maybe," she said, "it's just gone.
Sometimes things disappear and
there’s no getting them back.
That's just how it is.” (p 86)
~ Julie Otsuka ~ ~
When the Emperor Was Divine~
In my case, the sewing box -- like the pearl earring -- was just gone, and there was no getting it back. That's just how it was. Yet all was not lost. Fate may have deprived me of one keepsake, but it gave me a couple of others instead, both handmade by Rovilla.
Elizabeth and Rovilla were beloved first cousins, known for exchanging gifts, letters, and visits over the years. Elizabeth's daughter Josie (Larry's mother) and Rovilla's daughter Mary (my mother) were favorite second cousins. And thanks to the carefully kept records of our ancestors and the miracle of facebook, I have been able in recent years to meet up with Josie's children Larry, and his siblings Cindy and Jeff. How kind of my third cousins to pass this family treasure back to me! Here is Elizabeth's note:
underneath our electric kettle, since that was Rovilla’s
original idea when she gave it to Elizabeth.
One Art
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
by Elizabeth Bishop (1911 – 1979)
Poet Laureate of the United States, 1949 to 1950
Pulitzer Prize Winner, 1956
See previous post: Lost & Found
Next Fortnightly Post
Tuesday, October 14th
Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blogs
www.dailykitticarriker.blogspot.com
Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogsppot.com
When my friend Katy was searching for her car keys and I sent her the Elizabeth Bishop poem:
ReplyDeleteI love that poem. Lately I’ve lost so much, the town I loved, the respect of the community, my faith in our political system and our country. That poem really helps, and I know there’s lots of loss to come, so good to get a handle on it. And see, I didn’t even think of those lost keys. You never want to become so anxious about minutiae that you have nothing left for big issues.