"One ought, every day at least, to hear a little song, read a good poem, see a fine picture
and, if possible, speak a few reasonable words." ~Goethe

~ also, if possible, to dwell in "a house where all's accustomed, ceremonious." ~Yeats

Showing posts with label John Keats. Show all posts
Showing posts with label John Keats. Show all posts

Friday, July 14, 2017

Born Only Once

CATHEDRAL WHERE ALL'S ACCUSTOMED, CEREMONIOUS
St. Andrew's Anglican Cathedral ~ Sydney, Australia

I have to completely agree with business writer Brett Nelson who wrote that the phrase "'Come To Jesus Moment' Is The Most Annoying Business Expression On Earth." I understand that the concept has some currency in the common parlance, with connotations of humor and threat; but if you were subjected to the real thing as a child and urged repeatedly to "come to Jesus," it is not even remotely funny, and the threatening aspect falls sickly flat.

American poet Langston Hughes -- also, social activist, novelist, playwright, and columnist from Joplin, Missouri (not far from where I grew up) -- explains it much better than I ever could. For anyone who was not brought up in an evangelical tradition, Hughes provides a glimpse of the impact that fundamentalism can have on the heart of an impressionable innocent child, black or white. His description certainly rings true to my experience. I did not come across this essay until I was an adult, but it made me feel less lonely and bizarre about my religious upbringing in the Church of the Nazarene -- such a strange way to be raised, such a harsh thing to do to a kid or to an adult:

"Salvation" by Langston Hughes
I was saved from sin when I was going on thirteen. But not really saved. It happened like this. There was a big revival at my Auntie Reed's church. Every night for weeks there had been much preaching, singing, praying, and shouting, and some very hardened sinners had been brought to Christ, and the membership of the church had grown by leaps and bounds. Then just before the revival ended, they held a special meeting for children, "to bring the young lambs to the fold." My aunt spoke of it for days ahead. That night I was escorted to the front row and placed on the mourners' bench with all the other young sinners, who had not yet been brought to Jesus.

My aunt told me that when you were saved you saw a light, and something happened to you inside! And Jesus came into your life! And God was with you from then on! She said you could see and hear and feel Jesus in your soul. I believed her. I had heard a great many old people say the same thing and it seemed to me they ought to know. So I sat there calmly in the hot, crowded church, waiting for Jesus to come to me.

The preacher preached a wonderful rhythmical sermon, all moans and shouts and lonely cries and dire pictures of hell, and then he sang a song about the ninety and nine safe in the fold, but one little lamb was left out in the cold. Then he said: "Won't you come? Won't you come to Jesus? Young lambs, won't you come?" And he held out his arms to all us young sinners there on the mourners' bench. And the little girls cried. And some of them jumped up and went to Jesus right away. But most of us just sat there.

A great many old people came and knelt around us and prayed, old women with jet-black faces and braided hair, old men with work-gnarled hands. And the church sang a song about the lower lights are burning, some poor sinners to be saved. And the whole building rocked with prayer and song.

Still I kept waiting to see Jesus.

Finally all the young people had gone to the altar and were saved, but one boy and me. He was a rounder's son named Westley. Westley and I were surrounded by sisters and deacons praying. It was very hot in the church, and getting late now. Finally Westley said to me in a whisper: "God damn! I'm tired o' sitting here. Let's get up and be saved." So he got up and was saved.

Then I was left all alone on the mourners' bench. My aunt came and knelt at my knees and cried, while prayers and song swirled all around me in the little church. The whole congregation prayed for me alone, in a mighty wail of moans and voices. And I kept waiting serenely for Jesus, waiting, waiting - but he didn't come. I wanted to see him, but nothing happened to me. Nothing! I wanted something to happen to me, but nothing happened.

I heard the songs and the minister saying: "Why don't you come? My dear child, why don't you come to Jesus? Jesus is waiting for you. He wants you. Why don't you come? Sister Reed, what is this child's name?"

"Langston," my aunt sobbed.

"Langston, why don't you come? Why don't you come and be saved? Oh, Lamb of God! Why don't you come?"

Now it was really getting late. I began to be ashamed of myself, holding everything up so long. I began to wonder what God thought about Westley, who certainly hadn't seen Jesus either, but who was now sitting proudly on the platform, swinging his knickerbockered legs and grinning down at me, surrounded by deacons and old women on their knees praying. God had not struck Westley dead for taking his name in vain or for lying in the temple. So I decided that maybe to save further trouble, I'd better lie, too, and say that Jesus had come, and get up and be saved.

So I got up.

Suddenly the whole room broke into a sea of shouting, as they saw me rise. Waves of rejoicing swept the place. Women leaped in the air. My aunt threw her arms around me. The minister took me by the hand and led me to the platform.

When things quieted down, in a hushed silence, punctuated by a few ecstatic "Amens," all the new young lambs were blessed in the name of God. Then joyous singing filled the room.

That night, for the first time in my life but one for I was a big boy twelve years old - I cried. I cried, in bed alone, and couldn't stop. I buried my head under the quilts, but my aunt heard me. She woke up and told my uncle I was crying because the Holy Ghost had come into my life, and because I had seen Jesus. But I was really crying because I couldn't bear to tell her that I had lied, that I had deceived everybody in the church, that I hadn't seen Jesus, and that now I didn't believe there was a Jesus anymore, since he didn't come to help me.
"First Confession," by Irish author Frank O'Connor is more often / more popularly anthologized:
"But the worst of all was when she showed us how to examine our conscience. Did we take the name of the Lord, our God, in vain? Did we honour our father and our mother? (I asked her did this include grandmothers and she said it did.) Did we love our neighbours as ourselves? Did we covet our neighbour's goods? (I thought of the way I felt about the penny that Nora got every Friday.) I decided that, between one thing and another, I must have broken the whole ten commandments, all on account of that old woman, and so far as I could see, so long as she remained in the house, I had no hope of ever doing anything else.

I was scared to death of confession
."
I have always preferred the Langston Hughes (1902 - 1967) essay because it captures the existential angst through the eyes of a child. O'Connor (1903 – 1966) manages to be more light - hearted and find some humor in the situation, but his narrative speaks less to my experience. I find it an interesting twist that the Irish Catholic writer is the one to describe the "hellfire & damnation" method of scaring children into religion (or, should that be scaring religion into children) rather than the Southern American writer. They both make the point that trying to force kids into some kind of mystical religious experience might make them more cynical rather than increasing their faith.

Like young Langston, I decided long ago that if I kept waiting around for a conversion experience or a personal relationship with God, I'd end up waiting forever. Maybe it's a literary thing, but over the years, I have decided to cast my lot with ritual and liturgy over abstract faith. I've never been able to latch onto the idea of a personal god / goddess who cares for me individually. I don't understand what people are talking about when they say "a personal relationship with Jesus Christ." Perhaps it is a matter of personality or nature, i.e., maybe it's "just my nature" to doubt or be unmoved by emotional appeals to the supernatural, while other people have a deep response to those methods. In the Church of the Nazarene, experiencing these emotions was the central act of faith, so I always felt really excluded -- a goat, not a sheep -- because I never felt the hand of god move or heard Jesus speaking to my heart. Again, I ask, what on earth do those phrases mean? I, for one, could never figure out.

Every time I re-read "Salvation," I am reminded that Hughes also said:

"Go home and write
a page tonight.
And let that page come out of you—
Then, it will be true
."

And in a related thought, Czeslaw Milosz writes,

"We are born on earth only once
and we indulge in much mimicking and posing,
dimly aware of the truth, but with pen in hand
it is difficult to escape that awareness:
then, at least, one wants to keep one's self-respect."

(To Begin Where I Am, p 9)

So in a bid for self - respect and truth, I thought I'd go out a limb here -- although I'm not a minister of the Gospel, nor do I play one on TV -- and compile a few posts about religious experience, especially since it has been in the news a lot lately, though, sadly, not in a good way. For example:

1. "Enthusiasm for a candidate like Trump gives our neighbors
ample reason to doubt that we believe Jesus is Lord."

-Andy Crouch‬

2. Mike Pence: The servile schemer who would be president"
by Richard North Patterson
American fiction writer, attorney and political commentator

"Trump, not Jesus, became Pence’s personal savior: Cravenly, Pence proclaimed Trump a model paterfamilias and man of deep faith. To cognoscenti, the reflexive alacrity with which Pence swathed Trump in pieties confirmed a surreal obliviousness to his own moral smallness. Even so, he swiftly elevated serial hypocrisy to unforeseen heights."

3. "Mike Pence and the rise of mediocrity"
by Richard North Patterson

"The effect is that of an unctuous church elder selling pyramid schemes to credulous parishioners, never doubting he is doing God’s work. Every self-serving self-deception reveals the depths of his shallowness, the breadth of his hypocrisy. His salvation is not ours."

4. "Trump Can't Reverse the Decline of White Christian America"
by Robert P. Jones

"Two-thirds of those who voted for the president felt his election was the "last chance to stop America's decline." But his victory won't arrest the cultural and demographic trends they opposed."

So according to Michele Bachman, Trump is "somebody who will stand up for godly moral principles." Heaven Help Us!

Wow! Talk about a deeply held belief: "In a head-spinning reversal, white evangelicals went from being the least likely to the most likely group to agree that a candidate’s personal immorality has no bearing on his performance in public office." Hypocrisy takes the day.

"Like Esau, who exchanged his inheritance for a pot of stew, white evangelicals have traded their distinctive values for fleeting political power. Twenty years from now, there is little chance that 2016 will be celebrated as the revival of White Christian America, no matter how many Christian right leaders are installed in positions of power over the next four years. Rather, this election will mostly likely be remembered as the one in which white evangelicals traded away their integrity and influence in a gambit to resurrect their past."

My friend Olynn responds: "He instead actually hastens a decline that is now real - but wasn't before."

5. "Mike Pence’s New God"
by William Saletan

"The Christian conservative was supposed to bring morality to Trump’s campaign. Instead he caved to Trump."

"The idea that’s being projected for public consumption is that Pence’s values somehow rub off on Trump. But what’s actually happening is the reverse. Pence came into the Trump campaign with some firmly stated principles. In less than a week, to conform to his new boss, he has bent them."

"This scene, this genuflection of one man before another, is a warning. It’s what happens when you worship power. It’s what happens when you use religion to glorify a man rather than change him."

6. "Why people believe Trump's lies, fake news, and conspiracy theories"
by Linette Lopez

"Science writer and historian Michael Shermer believes that human beings are conditioned to believe, rather than disbelieve, things. . . . And so we believe. But more than that, in that belief we create patterns. That helps us structure our lives. It gives meaning to what could easily be random. It is from there that Shermer believes we develop things like superstition and conspiracy theories. They make sense of what is random."

7. Awaiting Someone Like Mike Pence as a Messiah
by Kieryn Darkwater
Interesting discussion regarding Christianity, culture wars, and home schooling.

A Different Kind of Salvation:
A Fairy Piper by Richard MacDonald
"Forever piping songs forever new . . ." ~ John Keats
from "Ode On A Grecian Urn"

SEE YOU IN TWO WEEKS
FOR A CONTINUATION OF THIS DISCUSSION ON MY
Next Fortnightly Post
Friday, July 28th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Thursday, October 28, 2010

Sweet Basil Evermore

A HOUSE WHERE ALL'S ACCUSTOMED, CEREMONIOUS
Isabella and the Pot of Basil, 1846
by English Pre-Raphaelite, William Holman Hunt (1827 - 1910)

Stanzas #32 and #53
from Isabella, or the Pot of Basil
by John Keats, English Romantic Poet (1795 - 1821)

In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,
Because Lorenzo came not. . . .

And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten’d it with tears unto the core.


Lorenzo and Isabella, 1849
by English Pre-Raphaelite, John Everett Millais (1829 - 1896)

Isabella and the Pot of Basil, 1879
by English Pre-Raphaelite, John Melhuish Strudwick (1849 - 1937)

Poor Isabella, left with nothing but a pot of fragrant, flourishing basil to show for her devotion to honest Lorenzo. Wrapped in a fine cloth and buried deep within the skull - embellished urn is the severed head of Isabella's murdered lover. Not only do her heartless, jealous brothers kill Lorenzo, but they further deprive their distraught sister of the pot of basil, her only remaining connection to the love of her life, her sole tenuous link to sanity.

In Millais's portrayal of happier times (except for the presence of that grim waiter who appears to be in cahoots with the conniving brothers), the pot of basil can be seen behind the lovers, blooming on the garden wall. In Strudwick's more somber portrayal, you can see the ornate, but empty plant stand to Isabella's left and the evil brothers outside the window, sneaking off with the morbidly treasured pot of basil.

In this poem, Keats veers away from his lush autumnal imagery of "mellow fruitfulness," focusing instead on the death and decay of the season's end. The breath of winter is sickly and bereaved, rendering the landscape as hopeless as Lorenzo's head, as barren as Isabella's heart. A sad story. A beautiful plant (Ocimum basilicum).

Isabella and the Pot of Basil, 1907
by English Pre-Raphaelite, John William Waterhouse (1849 - 1917)
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to us - O sigh!
Spirits in grief, lift up your heads . . .
And make a pale light . . .

Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead
from Stanzas #55 and #56

**************

The esteemed essayist E. B. White (1899 - 1985) writes admiringly of his aging wife sitting in the autumnal garden:

" . . . hour after hour in the wind and weather . . . the small hunched-over figure, her studied absorption in the implausible notion that there would be yet another spring, oblivious to the ending of her own days, which she knew perfectly well was near at hand, sitting there with her detailed chart under those dark skies in the dying October, calmly plotting the resurrection."

from E. B. White's Introduction (xix)
to Onward and Upward in the Garden
by Katharine S. White (1892 - 1977)
long-time fiction editor for the The New Yorker magazine

Plotting the resurrection.

Or to put it another way:

" A garden is evidence of faith.
It links us with all the misty figures of the past who also
planted and were nourished by the fruits of their planting."


~~Gladys Taber~~
American naturalist and columnist (1899 - 1980)
Author of the Stillmeadow Journals

For us as well, the chilly autumn breezes have begun to blow. The basil needs bringing in. Always one of our more successful crops, half will be hung to dry, the other half processed into pesto for freezing. It's thinning now, after several summer cuttings; but here's how it looked back in mid-July:

"Nothing can replace the shock of pleasure
given by a small mountain of fresh basil
in the summer kitchen."


~~Eleanor Perenyi~~
American gardener and writer (1918 - 2009)
Author of Green Thoughts: A Writer in the Garden


SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Sunday, November 14, 2010

Between now and then, read
THE QUOTIDIAN KIT: "Isabella & the Pot of Basil"
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Thursday, October 14, 2010

Capturing the Ginkgo Light

" . . . GOLDEN AND GREEN
LEAVES LITTER THE LAWN TODAY THAT YESTERDAY
HAD SPREAD ALOFT THEIR FLUTTERING FANS OF LIGHT."
~~ HOWARD NEMEROV ~~

Golden paintings, here and above, by Leonard Orr

Artist Leonard Orr says:
"None of my paintings are titled;
most can also be hung in any orientation
(there is no top or bottom, left or right;
I paint turning the painting again and again,
holding it up in the air and tilting the canvases
to let the wet paint flow in different directions;
I have ruined many clothes!)."

Looking at these paintings, I sense the ethereal light of the delicately ribbed, fan-like ginkgo leaf, that changes so suddenly from green to gold. Not only are the colors perfectly autumnal (as in "Season of mists and mellow fruitfulness"), but the background textures, so much like a palimpsest, remind me of ancient Chinese calligraphy, fitting right in with the Oriental heritage and folklore of the ginkgo tree. Did the trees thrive naturally or were they planted and preserved for many centuries by Chinese monks who later introduced them to Japan?

I have long been an admirer of the Ginkgo biloba [i.e., bi-lobed], this unique species of tree with no living relatives and leaves like no other. Way back in the Spring of 1972, I pasted ginkgo leaves (found on the Lindenwood campus in St. Charles, Missouri) into the pages of my 9th grade leaf collection.

a page from my scrapbook
38 - year - old ginkgo leaf

page from Goethe's scrapbook
195 - year - old ginkgo leaf

The great Goethe also admired the ginkgo, and preserved yet today in the Goethe Museum in Düsseldorf are the above leaves that he himself dried and attached to his love poem "Ginkgo biloba" in 1815. Of the unusual bi - lobed leaves, Goethe has written:

This leaf from a tree in the East . . .

Does it represent One living creature
Which has divided itself?
Or are these Two, which have decided,
That they should be as One?


Wolfgang Johann Wolfgang von Goethe (1749 - 1832)
Prolific German writer, poet, scientist, botanist, and philosopher

When living in Philadelphia, many years after my leaf collection, I encountered ginkgos at every turn: there were the stately, historical ginkgos on the grounds of Bartram's Garden, Woodlands Cemetery, and University City New School; the middle-aged ginkgos lining Lancaster Avenue; and the younger generation, visible from every window on the south side of our house.

Two Proud Ginkgos on Beaumont Avenue, Philadelphia

Not long ago I mentioned an old childhood classic, The Witch Family on my book blog. This little novel ~~ also an October favorite for Halloween ~~ contains the following descriptive ginkgo passage, which I can appreciate even more, now that I have lived in a tall brick city house, just like Amy's:

"Amy's house was a high red brick one. In front of it there was a tall and graceful ginkgo tree whose roots made the worn red bricks of the sidewalk bulge and whose branches fanned the sky. The ginkgo tree has little leaves shaped like fans that Amy and Clarissa liked to press and give to their dolls. The fruit of this tree is orange, but it is not good for eating. It has an odd fragrance that grownups do not like but that children do not mind, for it makes them think of fall and Halloween" (14, The Witch Family, Eleanor Estes).

Poet Eve Merriam also pays tribute to the urban ginkgo, in "Willow and Ginkgo," her poem of comparison and contrast:

"The ginkgo forces its way through gray concrete;
Like a city child, it grows up in the street.
Thrust against the metal sky,
Somehow it survives and even thrives.
My eyes feast upon the willow,
But my heart goes to the ginkgo."


by Eve Merriam (1916 - 1992)
American Poet
Winner of the Yale Younger Poets Prize, 1946

City Children
(Ben at the wheel / Sam, back seat driver)

Fallen Ginkgo Fruit [seeds, actually]
Photo from Wikimedia Commons

As little Amy observes, the large fleshy seed is indeed malodorous and not well-liked, certainly not something that you want to inadvertently squash and carry into the house on the bottom of your shoe! However, if you can live and let live, the plump, pungent little nuisance has its own peculiar charm and is not all that hard to abide. A common Chinese name for the ginkgo tree elevates the fruity seed to an object of beauty, translating poetically into English as Silver Apricot. How lovely!

In his mystical sonnet, "The Consent," American poet Howard Nemerov writes in wonderment of the quickly turning Ginkgos:

. . . on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.


by Howard Nemerov (1920 - 1991)
American Poet
1978 Pulitzer Prize Winner

Another tribute to the tenacity and longevity of the ginkgo is Arthur Sze's seven - part, evocative poem about existence and endurance, "The Ginkgo Light." Inspired by the half dozen noble ginkgo trees to survive the atomic bombing of Hiroshima, Sze writes:

A 1300-year-old lotus seed germinates; a ginkgo
issues fan-shaped leaves; each hour teems. . . .

love has no near or far

. . . a temple in Hiroshima . . .
disintegrates, while it's ginkgo

buds after the blast. . . .

As light skews across our faces, we are
momentarily blinded, and, directionless,

have every which way to go. . . .

and while we listen to our exhale, inhale,
ephemera become more enduring than concrete.

Ginkgos flare out. . . .

One brisk morning,
we snap to layers of overlapping

fanned leaves scattered on the sidewalk . . .
finger a scar on wrist, scar on abdomen.


by Arthur Sze, Chinese American poet (b. 1950)
from his book The Ginkgo Light


Goethe, Estes, Merriam, Nemerov, Sze -- what do all these writers have in common? Their hearts go out to the ginkgo, the tree of the ages; and so do ours. No wonder paleobotanist Albert Seward once said that the ginkgo "appeals to the historic soul: we see it as an emblem of changelessness, a heritage from worlds too remote for our human intelligence to grasp, a tree which has in its keeping the secrets of the immeasurable past" (British botanist and geologist, 1863 - 1941).

Additional links for more information on this fascinating tree:

Ginkgo biloba

Ginkgo history


FYI: The standard spelling appears to be GINKGO (with the "k" before the final "g"); but most dictionaries allow -- in fact practically encourage! -- use of the alternative GINGKO (with the second "g" before the "k"). You pick! See dictionary.com

Archived posts for further reading:
29 November 2009: Ginkgo Biloba
3 December 2009: Willow and Ginkgo

And there's always
THE QUOTIDIAN KIT
my shorter, almost daily blog posts

Next Fortnightly Post Topic:
Basil:Ocimum basilicum
Coming Thursday, October 28, 2010
See you then!