"One ought, every day at least, to hear a little song, read a good poem, see a fine picture
and, if possible, speak a few reasonable words." ~Goethe

~ also, if possible, to dwell in "a house where all's accustomed, ceremonious." ~Yeats

Showing posts with label Margaret Atwood. Show all posts
Showing posts with label Margaret Atwood. Show all posts

Tuesday, October 14, 2014

What Women [Don't] Want

WHERE ALL'S ACCUSTOMED, CEREMONIOUS
Seated Woman in a Red Dress, 1920s
By Irish Painter ~ Roderic O'Conor, 1860 - 1940

“What Do Women Want?”
I want a red dress.
I want it flimsy and cheap,
I want it too tight, I want to wear it
until someone tears it off me.
I want it sleeveless and backless,
this dress, so no one has to guess
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store
with all those keys glittering in the window,
past Mr. and Mrs. Wong selling day-old
donuts in their café, past the Guerra brothers
slinging pigs from the truck and onto the dolly,
hoisting the slick snouts over their shoulders.
I want to walk like I’m the only
woman on earth and I can have my pick.
I want that red dress bad.
I want it to confirm
your worst fears about me,
to show you how little I care about you
or anything except what
I want. When I find it, I’ll pull that garment
from its hanger like I’m choosing a body
to carry me into this world, through
the birth-cries and the love-cries too,
and I’ll wear it like bones, like skin,
it’ll be the goddamned
dress they bury me in.


by American poet ~ Kim Addonizio, b. 1954
see also ~ "Aquarium"


Awhile back I heard a very good sermon about the "middle way being the hard way." The old proverb (certainly what I was taught in Sunday School) is that the middle way is for lazy opportunists who can't commit and want it both ways and haven't given their hearts to God. But this speaker was saying the opposite -- that the extremes are easier because they require less introspection, less observation, less compassion. The middle way is hard because it demands all of these things, and that's why the church should walk the middle path.

Around the same time, I also heard a very troubling sermon about abortion. What would Jesus do? Maybe he'd choose a different topic. All I could think was "Here we go again." It's bad enough on the television and in the House and in the Senate and every where else you turn your head, but even from the pulpit? When will it ever be considered unacceptable to violate the sanctuary of women? When will male ministers and lawmakers ever stop singling women out and talking about their bodies -- the very essence of objectification. Did Jesus do that? I don't think so. Being pitied and talked about like case studies -- this turns women into objects. The assumption that someone else can know which women need abortions and for what reasons -- this turns women into objects. What about self - determination? What about getting to be the subject of your own sentence?

I wince at the harsh pronouncements against all abortion, but I'm also suspicious of the so - called more generous stance that we have to consider the special cases of rape and incest. The unctuous reliance on this cliche fills me with dismay. What it says to me is that the church doesn't really want to help women but it will if it has to in the extreme case. The incest / rape exception makes me feel uneasy, not because it isn't valid or necessary, but because it's someone else's arbitrary decision, and a very harsh one at that, despite being presented in the name of compassion. Instead, how about acknowledging that the issue is too complicated for the existing exceptions and rules (the very thing that Jesus says NOT to rely on).

For those who claim the right to decide not only for themselves but for others, I want to hear their plans for helping expectant mothers who are carrying their children in fear, worried about money, health, nutrition, insurance, education, emotional support, rent, mortgage, heat, abuse, neglect -- and myriad other issues that we cannot possibly know in full, different in every case. How do these right - to - lifers plan to help care for each and every child who is born to a distraught mother? I want to see their directives and budget allotments for welcoming every newborn and nurturing every mother and every child. And I don't mean a cute hat and some diapers -- I mean non-stop tending until that child is safely through college.

There was one spark of hope in the sermon: the observation that, yes, you might meet a woman thirty years on who regretted her decision to terminate a pregnancy but on the other hand --

Okay, at this point I thought I was going to hear that you might also meet a woman who was relieved that she had the option to choose. But NO!

-- on the other hand -- there has to be help for college girls who get drunk and end up pregnant.

Some abortions end in regret; some begin in drunkenness. Thus did the sermon, which I did not find to be particularly helpful to women, come to a close. No acknowledgement that not all abortions begin in drunkenness or end in regret, no other examples, no mention of a considered choice, no middle path. Did it help anyone to make women sound so pathetic, to second guess their decisions, to sensationalize their distress with descriptions of crying and bleeding, to omit the possibility that women might know their own bodies and their own minds? No, it did not. It was offensive. Women don't need pity; they need a level playing field. Women resent the weary sexist conclusion that abortion is fair game for sermonizing -- because it's such an attention grabber. In fact, it's just one more way of putting women on that old familiar pedestal and looking up their dresses. How long, O Lord?

If human anatomy and physiology is sermon material, then lets move away from the insulting cliches about female reproduction and pick some topics that affect both sexes equally. Take colonoscopy, for instance. There's something that both men and women have to go through. Everyone has to have a first one sometime and no one wants to. You don't see much of a spiritual context to the colonoscopy? Well, then, give it one! I have lots of ideas: How about the low success rate of trying to make other people do the right thing? How about leading a horse to water but not being able to make it drink? How about not even being able to lead it to water? How about responsibility? How about worry? How about fear? How about violation and taboo? How about people dying unnecessarily of colon cancer? As you can see, it wouldn't take me long to write a sermon on the topic! In fact, I think there's a veritable mission field out there of people who need to hear the message and be brought into the fold.

Or what about whole body screenings for cancer of the skin -- our body's largest organ! That affects everybody. God made the sun. Right?

How about the need for free STD testing at all college and university health centers? I don't know the cost, but some students find any fee at all prohibitive and / or embarrassing if they have to file an insurance claim. Maybe free STD testing is not an ENTITLEMENT in this country; however, if we take a look at the big picture instead of the small, we might see that free testing helps EVERYONE on campus, not just those who come in for a lab test or an exam. Who knows, a more generous policy might result in safer sex and fewer abortions.

I'm not necessarily suggesting these as ideal topics for Sunday morning, but then I wouldn't pick abortion either. Or if I did, I'd ask why the discussion of unplanned pregnancy is so one - sided. Little is ever said about the man who participated in the conception. I rarely hear any presumptuous suggestions or patronizing restrictions concerning what he should do next, now that he has fertilized a human egg. Where is the analysis of male anatomy and the massively hurtful potential of testosterone? I'd point out that a great many of the "birth control failures" that girls and women take responsibility for (sometimes by terminating a pregnancy) actually boil down to having been relentlessly pressured into having unprotected sex. Could women insist on birth control every time unless they want a child? Yes, of course they could and should. But that still doesn't explain why the men who love (?) them are pressuring them in the first place. Men and boys -- Stop. Doing. This. Make yourself part of the solution rather than part of the problem. Respect women. Respect your sperm!

Of course we have compassion for victims of rape, incest, and drunken mistakes -- those are the extremes; those are crimes! The difficult thing -- apparently! -- is compassion for normal women leading normal lives that become complicated because the evolutionary odds are stacked in such a way that women bear the biological risk for both recreational and procreational sex. What saddens me -- besides having to hear a discussion better left to me and my doctor or me and my girlfriends or me and my husband -- is to hear a public speaker take the predictable political path, in the name of "socio - cultural relevance" or "ethics" instead of a soul - searching, sermon - worthy middle path.


Even some of my favorite writers seem at times to get it weirdly wrong. In Margaret Atwood's novel Surfacing (1972), for instance, the narrator becomes obsessed with the feral conception of a child in reparation for a previous pregnancy that her art professor pressured her into terminating. The new child, conceived in the wild, will be a living apology to the unrealized child. In Ruth Ozeki's novel All Over Creation (2003), a similar irrational, formulaic approach is expressed by the high school history teacher, twenty - five years after his affair with a fourteen - year - old student: "We took a life, Yumi. From the universe. And the way I figure it, we owe one back. Life is sacred. I want to make amends. . . . I want us to have a child (386). Yumi, who has returned to town for a visit, along with her three children, says oddly and crassly of them: "Three wonderful grandchildren ought to more than make up for one lousy abortion" (240).

What's going on here? Must these women be forever making amends? Are they never allowed to leave mistakes in the past, to grow and learn, to pay the price of experience and move on, sadder perhaps but wiser? How about the creation of heroines who gain dignity and emotional maturity, confident in their choices and the points to which they've come? Instead, first Atwood and then Ozeki (writing three decades later!) use their characters to express the view that abortion goes hand in hand with shame, guilt, bitterness and perpetual indebtedness to the universe. In each case I remain mystified by the author's placement of her heroine on such a regressive life path.

A more supportive and realistic view appears in Curtis Sittenfeld's novel American Wife (2008). Unlike Atwood's extreme reversion to nature or Ozeki's tone of self - deprecation, Sittenfeld allows her narrator, Alice to think rationally and walk the middle path: " . . . my entire political outlook could have been summarized by the statement that I felt bad for poor people and was glad abortion had become legal. . . . I live a life that contains contradictions. Don't you?" (204, 473).

Yes, I do.

***************
Additional Reading: Reality Check & Thriftshop Barbie

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Tuesday, October 28th

Between now and then, read
THE QUOTIDIAN KIT ~ Roe v. Wade
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com


Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com


Contradiction
by Patti Spires Hamilton

Friday, February 14, 2014

Inordinately Realistic

ACCUSTOMED, CEREMONIOUS
A HAPPY SNOWY VALENTINE'S DAY!

Plow & Hearth Birdseed Wands

Not to be too cynical on Valentine's Day, but while driving along in the car one day last summer with the radio on, the irony of these lines from the ABBA song "Angel Eyes" caught my attention:

"And it hurts to remember all the good times
When I thought I could never live without him"

For months, my brain has been circling around these lyrics, and now seems a good time to take a closer look at the irony. The singer's fondest thoughts are of a time in her relationship when she "thought she could never live without him." I usually just sing along, but this time, I started to wonder, How good of a relationship was that? Or how bad? Bad enough to make me rethink the nostalgia that I have for some of my good / bad old days. What am I recalling with such fondness? The years when I thought that my heart would break in two? Well, if those were the good times, maybe they weren't so good after all despite the hazy romantic edges of memory. Perhaps the narrator is saying that it hurts now because those times were so great and now they are gone for good. More likely, I suspect she's recalling a time that may have seemed good enough but was also hurtful -- and that's why it hurts to remember.

Good times shouldn't hurt, yet sometimes from the very beginning, a relationship consists primarily of the kind of good times that it hurts to remember. Come to think of it, it can even hurt to have some of those good times in the first place. Kind of like -- in my chick flick choice for Valentine's Day this year -- Georgy Girl's relationship with Jos.

As Georgy learns, those are the kind of good times that you have to stay away from. Learn what you can and move on. I was pretty pleased with myself twenty - five years ago, when Gerry and I completed some personality profile questionnaires to help us understand our relational issues, compatibility levels, and marital readiness. When I scored in the range of "Inordinately Realistic," I was convinced that I had used all of my bad relationships wisely!

In honor of Valentine's Day, here are a few inordinately realistic proverbs that have spoken to my heart in troubled times:

"A long time ago I was desperately in love.
In fact, you could leave out the 'love'
and still get a pretty good picture."

from "True Romances #2"
in True Stories
by Margaret Atwood

" 'Love,' says Squire Allworthy, 'however much we may corrupt and pervert its meaning . . . remains a rational passion.' "
from Tom Jones

by Henry Fielding

"It is overdoing the thing to die of love."
~ French Proverb ~


"After awhile you begin to realize that lots of people have had
previous marriages that just never come up in conversation.
Especially if there are no children, then it's really nothing
more than a bad date, a long bad date."

~ A Wise Friend ~


"I can't believe we once threw dishes at each other, but we did.
I can remember which plates, which cups, which glasses,
and which ones broke."

~ Margaret Atwood / same story as above ~

"What can be broken, can be fixed, he thought.
What can be broken, can be fixed.
There was a dimension to all of this he had to ignore,
a reality, if you will.
But a balance wheel can be reattached,
a shaft can be machined, from scratch if necessary.
Still, it would be too late for him.
The normal, or maybe
not the normal,
part of the doll still worked perfectly.
The other could be fixed.
But not for him, never for him, fixed or not,
that was gone forever."

from "Moriya"
in By The Light of the Jukebox
by Dean Paschal

Inordinately realistic or not, I still adore a sentimental Valentine!
~ like this collage of vintage favorites from my friends Diane Cox
and Victoria Amador (whose name is perfect for Valentine's Day)!

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Friday, February 28th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com


Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Saturday, May 14, 2011

Scary Hair

ACCUSTOMED, CEREMONIOUS

"It is not in the stars to hold our destiny but in our hair."
~~ Mixed ~ Up Shakespeare ~~
Moon & Stars Garden Mosaic by Ben McCartney, at age 12 (2002)

****************

Gathering Electrons
This hair gathers electrons
from the atmosphere & uses it
to perpetuate new ideas about
hair's role in the history
of civilization.

by Brian Andreas . . .
"telling people about a better way of seeing."

Go to the StoryPeople website and you'll notice that an appreciative reader named Becky has nearly taken the words right out of my mouth:

"This must have been written by someone who has natural curly hair like me! This is the story of my life... every day is a bad hair day... but only if you let 'them' dictate what beauty is: long, straight hair on a stick thin body! I prefer to let my curls express their own beauty!" [ellipses in original]

I know just what Becky means about "them" and their dictates. Most recently it was the television show, Arrested Development. I had the ill-timed fortune of sitting down to watch right at the part where they start making fun of the girl with glasses and frizzy hair. Writers seem to love that tired cliche, but I don't. Besides, it's such old material, it's not even funny, especially if you happen to have glasses and frizzy hair. Remember Princess Diaries? Anne Hathaway is "beautiful" when she puts in her contacts and straightens her hair but "ugly" with her curly hair & glasses. Now why is that?

What a treat when "Gathering Electrons" turned up as my Story of the Day! It seems that I have been telling hair stories for as long as I can remember. I could go on and on upon the topic and often do. Even my Royal Wedding tribute was a story about my hair:

See "Royal Hair" on the Quotidian Kit

Scary Hair / Scary Glasses !
In this picture from college days, my twin brother Bruce says that I have "Scary Hair." We also have fun describing an earlier photograph, from 8th grade [sorry, I don't have a copy] in which he appears to have his arm around my shoulder but is in fact suppressing my springy hair behind my back! My friend Eve, blessed with a texture similar to mine, refers to this as our "Easter Grass Hair."

Just last summer, my husband Gerry and I were out in the garden checking out our raspberries, and I mentioned that the mosquitoes didn't seem as bad as they had the night before. In reference to the fact that after swimming I had allowed my hair to air - dry in its naturally unruly fashion, i.e., pretty much standing straight out from my head, Gerry responded: "Maybe they're scared of your hair!" Now that really made me laugh.

I got a similar laugh out of the young heroine in the memoir Miss American Pie: A Diary of Love, Secrets and Growing up in the 1970s by Margaret Sartor. I enjoyed the fact that she has crazy frizzy hair like mine! On 2 November 1976, she writes in her diary, "Jimmy Carter was elected president and Daddy said he won because it was such a beautiful day all over the South. This would seem to suggest a connection between the presidency of the United States and the frizziness of my hair" (198). This reminds me of the boy at my high school graduation (a day of high humidity) who said, "Kitti, your hair looks like the Wrath of God." Gee, thanks! But, really, I took it as a compliment!

Margaret Atwood
Novelist, poet and playwright
And it's not just me and Margaret Sartor; there are numerous literary connections! When I met Margaret Atwood back in the early 80s, in addition to discussing her novels, we shared stories of how people kept mistaking our natural curl for fake and asking us where we got our hair permed. Alice Walker and Anne Lamott have written at length about their naturally curly hair. Even understated Emily Dickinson wrote: "My hair is bold like the chestnut burr." And remember Shakespeare's Dark Lady: "Dark wires grow on her head" (Sonnet 130). Sounds like natural frizz to me!

More recently, take The Guernsey Literary and Potato Peel Pie Society, in which two pen-pals describe themselves to each other before meeting for the first time. Isobel warns Juliet: "I do not have a pleasing appearance. . . . my hair is wild and will not stay tamped down." Isobel has seen a photograph of Juliet and observes: "It must have been a windy day because your curls are blowing all about." Juliet responds: "It wasn't a windy day; my hair always looks that way. Naturally curly hair is a curse, and don't ever let anyone tell you different" (53, 117 - 18).

And then there's The Help, which I'm sure many of you have read in the past few months. Along with all the weighty social and personal conflicts with which the various characters are struggling, there is also Skeeter's relentless quest, urged on by her beauty - conscious mother, for smooth straight hair. With her naturally curly / frizzy hair, she is considered less lovely, taken less seriously. Thus she willingly subjects herself to the "Magic Soft & Silky Shinalator," complete with "Miracle Straightening Cap," (127 - 28). By the end, however, "Her hair's long without no spray on it. The weight of it's worked out the curl and frizz" (461). That also sounds like magic to me, something that might not really work for most people in real life, but still the message is clear: Skeeter has made a choice against convention and repression. She has decided in favor of her own individuality. No more fake straight hair.

Shinalator
The symbolism works differently for Liv, the main character of Jennifer Belle's lovable, sarcastic novel High Maintenance. Whereas Skeeter's long, untended hair represents her independence, Liv's rebirth is symbolized by going from curly to straight, with a little professional assistance. The title -- High Maintenance -- refers not so much to emotional neediness as it does to the condo fees that go along with the properties that Liv sells in her job as a New York City realtor. At the very end of the novel, the phrase describes Liv's newly styled hair: "With my new keys in my pocket, I stopped in at Tortolla to have Tom do my hair. He blew it out straight for the first time. My long black wavy hair became . . . straight and Japanese looking . . . I loved it. I sat beaming in the chair. 'I always want my hair like this.'" Tom warns her how difficult it will be to maintain this look, how costly and time - consuming: "It's way too high maintenance for you," he concludes. But Liv is determined: "I want high - maintenance hair!" Not because she wants to be dependent upon Tom or the dictates of hair fashion; but because she wants to shape her own destiny: "I can handle it" (335).

These are just a few of the many electrons I have already gathered from the atmosphere for perpetuating new ideas about the role of hair in literature.

More to come . . .
Anne Lamott








Alice Walker









Post - Swim Easter GrassFrizzy Hair and Glasses (and Beaumont)
My real hair: somewhere in between
the Wrath of God and Fake Straight

P.S. My advice for the coming summer: if you have to choose between straight hair & swimming, don't fight the curl: CHOOSE SWIMMING!

Saturday, November 28, 2009

Nothing To Live Against

A HOUSE WHERE ALL'S ACCUSTOMED, CEREMONIOUS
Philadelphia: Ginkgo Branch & View from 3rd Floor ~ Autumn 2000

Josef In The Windowsill: So Placid and Self - Contained!
(Same Window, Same Ginkgo Branch ~ Summer 1994)

In The Little Book of Letting Go, Hugh Prather questions why we wear the seams of our socks against the skin, so that they look smooth on the outside but feel bad on the inside. Wouldn't inside out make more sense? Interior vs Exterior.

Circumstances vs State of Mind. Which matters more? Prather says don't let circumstances become more important than your mental state: "If it were possible to summarize all mystical teachings in a single sentence, this one would come close: Make your state of mind more important that what you are doing" (7, 76).

I don't know why Hugh Prather calls his book "Little" since it is really just a normal - sized book. However, if you're familiar with author Susan Jeffers, she really does have a couple of tiny books containing advice similar to Prather's. Prather says we have two minds -- one that is whole and peaceful; another that is always conflicted, fragmented and busy. Susan Jeffers calls these two minds The Higher Self and the Lower Self. The Higher Self holds inner peace, strength, wisdom and spiritual dimension, whereas the Lower Self is a "place of struggle, lack, fear, and pain" (The Little Book of Peace of Mind, 4).

I have long been aware that when I get upset it is due to circumstances (missed appointment, messed up recipe, items lost or misplaced). This awareness, however, has not yet prevented me from feeling irritated, even though I tell myself over and over that these details are insignificant and have nothing to do with my Higher Self; they are merely circumstances that I needn't react to. As Jeffers says, "Your inner peace has nothing to do with the dramas of your life" (LBPM, 9). But, guess what? I react anyway, giving those annoying little details and missteps the power to determine my mood and the way I feel about and act toward others. It's all small stuff? Oh, really?

As you may have noticed not long ago on the Quotidian Kit, one of my favorite lines of fiction is actually about this same idea. In one of Margaret Atwood's "True Romances," a character is lamenting that her bad boyfriend has left her, and now she has "nothing to live for." Her level - headed friend asks, "Were you living for him when he was here?" And the distressed one says, "No . . . I was living in spite of him, I was living against him." The wise friend concludes, "Then you should say, I have nothing to live against."

I do recall applying this lesson during my early Philadelphia years, back when I was trying to improve my urban attitude. Thinking of Atwood's story, I said to myself, "You need to give up living against the city! You have nothing to live against." But it's such a bad habit with me, it seems that I will try to live against almost anything! The weather, the grocery store, the holiday season, organized religion, centuries of misogynism -- you name it; unless I consciously stop myself, I will try to live against it. And how does one little person live against an entire city or an entire cosmos or an entire family? Not only is it impossible, it is just not necessary to do so, even if it does feel so at times.

Nothing to live against. Brian Andreas makes a similar suggestion in his story, "Western Mysticism": "It's much easier, he told me, if you like the parts you like & you like the parts you don't like. Is that some Eastern thing? I said & he said not really since he was from Idaho & it worked there just fine" (from StoryPeople).

Still I wonder, how do you really learn to "like the parts you don't like"? How do you learn to say, "Oh well," if that's what the occasion calls for, to be dismissive, remain impassive, impersonal, detached? Easy to know these ideas so well yet remain painfully inept at living them out. Oh, Great Buddha (misogynist though you were), Oh, Mother Theresa, tell us: how ON EARTH does one "let go"; how draw the line between "circumstance" and "state of mind"? For a Doubting Thomasina, a Daughter of Descartes, a Western Girl With Glasses, it's not always easy.

Honestly now, what kind of person are you if your circumstances don't impact your state of mind? Isn't that kind of like Oliver singing, "If you don't mind taking it like it turns out / it's a fine life"? But that's not what we believe, is it? What if you do mind? Despite the song, it was not a fine life for Oliver, nor for Charles Dickens. Was Dickens any more Eastern than I?

Was Walt Whitman?

I think I could turn and live with animals,
they're so placid and self-contain'd,
I stand and look at them long and long.

They do not sweat and whine about their condition,
They do not lie awake in the dark and weep for their sins,
They do not make me sick discussing their duty to God,
Not one is dissatisfied,
not one is demented with the mania of owning things,
Not one kneels to another,
nor to his kind that lived thousands of years ago,
Not one is respectable or unhappy over the earth.
(from Song of Myself, #32)


I loved this stanza as a student and for a very long time afterward, even now I guess. Yet I have to agree with the critic who said that Whitman probably didn't mean it -- maybe about the animals he did; but surely not about himself. After all, he lived a life of highly refined intellect, not possible (as far as we know) for cows or cats.

When reading Hugh Prather's book, I couldn't help but notice how often his examples were about puppies. Very appealing and touching, but hello we are not dogs or cats or cows. We are humans with baggage and memory and very complicated brains and the need for discourse. On the more useful side, however, Prather says that progress matters more than achievement, direction more than perfection. We can choose, we can decide. In the best interest of inner peace, we can wear our socks inside out.


P.S. Christmas is coming!
Next post will be on Monday, December 14th
Between now and then, be sure to read
my shorter, almost daily blog posts on
THE QUOTIDIAN KIT
www.dailykitticarriker.blogspot.com

(Ginkgo trees, leafless trees, Christmas trees)

Wednesday, October 28, 2009

Candy and Poison

A HOUSE WHERE ALL'S ACCUSTOMED, CEREMONIOUS
My Victorian Lace House Ghost: Constance Chauncey

Halloween Haiku
Such little steps
In love of candy
Knocking at my door!


by student,
Patrick McDonough
Community College
of Philadelphia
Fall 1997








Sam's Post - Trick - or - Treat Inventory, 2002

*************************************************

[Okay, forgive me. Here's some literary criticism.]

In the Powers of Horror: An Essay on Abjection, French critic Julia Kristeva says that apocalyptic laughter is neither jovial nor joyful: " . . . laughter bursts out, facing abjection, and always originating at the same source, of which Freud had caught a glimpse: the gushing forth of the unconscious the repressed, suppressed pleasure, be it sex or death" (Kristeva 205-06).

This is the kind of laughter in Margaret Atwood's collection of very short stories, Murder in the Dark. One of the opening sketches, "Horror Comics," describes the darkly humorous after-school activities of two twelve-year-old girls. For instance, they like taking comic books from drugstores and reading them on the way home, "dramatizing the different parts, in radio voices with sound effects to show we were above it." Or on winter nights they enjoy throwing snowballs at unsuspecting grownups, "being careful to miss, doubling up with laughter because they didn't even know they were being aimed at" (Atwood 13).*

When they accidentally hit a woman, they experience not the contrived horror of the lurid comic books but the true horror of abjection. Though they do not have the vocabulary to express what they have witnessed, the threatening glare of their angry victim does not escape them: "We ran away, shrieking with guilty laughter, and threw ourselves backwards into a snowbank around the corner, holding our stomachs. . . . But we were terrified. It was the look on her face, pure hatred, real after all" (Atwood 13). Theirs is the laughter of fear and abjection, neither "trustful, nor sublime, nor enraptured by preexisting harmony. It is bare, anguished, and as fascinated as it is frightened" (Kristeva 206).

Likewise, the hilarity in these unsettling stories is bare, anguished, fascinating. It turns out that life is not all Tom, Betty, and Susan after all. I wonder if Dick and Jane would ever make poison, like the brother and sister in Atwood's story about "Making Poison"? Even Atwood wonders:

"Why did we make the poison in the first place? I can remember the glee with which we stirred and added, the sense of magic and accomplishment. Making poison is as much fun as making a cake. People like to make poison. If you don't understand this you will never understand anything" (Atwood 10).

[Now, was that so bad?]

*A similar passage appears in Julie Myerson's book Home: The Story of Everyone Who Ever Lived in Our House (see my post "Our Island Home"). Myerson recalls "The Ghost Club":

"We used to creep up on suspicious - looking people,
anyone we didn't like the look of."

"And then?"

"And then report back. We had meetings -- with biscuits.
We made badges." (148)

Myerson doesn't mention making any poison . . . but . . . same idea!

P.S.
Next post will be on Saturday, November 14th
Between now and then, be sure to read
my shorter, almost daily blog posts on
THE QUOTIDIAN KIT
www.dailykitticarriker.blogspot.com

(more Margaret Atwood, Bill Bryson, Halloween, etc.)

HAPPY HALLOWEEN!