With or Without an Epitaph

AN ANCIENT CITY
WHERE ALL'S ACCUSTOMED, CEREMONIOUS

The Palaces of Nimroud Restored, 1851
by James Fergusson (1808 –1886)

From the 1853 collection of scholar and excavator
Sir Austen Henry Layard (1817-1894)

Where to find Nimrud on the map:
20 miles south of Mosul / Nineveh

Not shown on map:
Jerwan is 25 miles north of Mosul / Nineveh
Why these three ancient cities: Jerwan, Nimroud, and Nineveh?

First of all, let me say that if you are sitting down to read the poems of contemporary American, Jim Barnes, you had better have a World Atlas handy, because you are going to need it! In a good way! The geological and emotional strata of these poems run deep and wide. Five college towns in Ohio -- can you trace the route across the State? Small hometowns in Kansas, Missouri, Oklahoma, with names unknown to many (well known to me). Cafes, museums, ruins, villas -- all over Europe! You must envision where they are, where the poet has been and takes you now, where you may one day go on your own steam. E.g., The Fertile Crescent:

At Jerwan

Stretching south toward Nineveh
the fertile lands Sennacherib
surveyed have now neither grain nor gold
for the hand holding compass and fold.

Long before the droning night came
down for the spoils and the wind with blame
for the deadly absence and the fall,
frowning figures left their places

on the crumbling marble monuments
and sank into the dry river bed
where the hot hand that fell still means
to fall on the holy heads of gods.

No gardens hanging from the banks,
no stone aqueducts now standing
lone, level, or otherwise.

Far from
Ishtar and Nineveh only this:
dust, thirst, desert despair,
the dream of Sennacherib gone wrong.

by Jim Barnes (b 1933)
in Sundown Explains Nothing, 2019

Artist’s Depiction of the Jerwan Aqueduct
Sennacherib (750 - 681 BC) ruled Assyria from 705 BC to 681 BC, and beautified the capital city of Nineveh with aqueducts, canals, hanging gardens, temples, and a “palace without a rival.” Yet, as Barnes points out, all that magnificence has been replaced by "lone, level" sands, eerily distant. The reader is reminded of proud fictional (or maybe not) Ozymandias, king of kings:

Ozymandias

I met a traveller from an antique land
Who said: two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

Percy Bysshe Shelley (1792 - 1822)

My son Ben, on vacation in London, also took a moment to remind me of Ozymandias, sending me this photograph of the tomb of eccentric 17th-century medical quack Lionel Lockyer. Ben added his own clever caption . . .

"Look on my works, ye mighty, and despair."

. . . and the following commentary:

"On the other hand we've all heard of Ozymandias,
so maybe he was on to something?"

Or at least Shelley was!"

[True, it is not all that unusual to hear
the name of Ozymandias twice in one week
-- and at least twice before on this blog!]
Back in the day, Lockyer (c.1600 – 1672) successfully marketed a miracle pill that apparently cleansed the entire digestive system by causing simultaneous vomiting and diarrhea. Though it sounds exceedingly unpleasant, his product had a huge following during his lifetime; and upon the occasion of his death, he took the opportunity to write as his epitaph one final advertisement for his "Pilulae Radiis Solis Extractae" (extract of sunlight!), more commonly referred to as "Lockyer's Pill":

Here Lockyer: lies interr'd enough: his name
Speakes one hath few competitors in fame:
A name soe Great, soe Generall't may scorne
Inscriptions whch doe vulgar tombs adorne.
A diminution 'tis to write in verse
His eulogies which most men's mouths rehearse.
His virtues & his PILLS are soe well known...
That envy can't confine them under stone.
But they'll survive his dust and not expire
Till all things else at th'universall fire.
This verse is lost, his PILL Embalmes him safe
To future times without an Epitaph

Lockyer thought for sure his pills would outlast his faux sonnet. Ozymandias and Sennacherib envisioned generation after generation surveying their mighty works. Yet in each case, the future went its own way, choosing a different fate for the would - be heroes, leaving behind a "dream . . . gone wrong."

SEE YOU IN TWO WEEKS ON MY
Next Fortnightly Post
Monday, October 14th

Between now and then, read
THE QUOTIDIAN KIT ~ Lausanne
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Travelogue 1: Berlin

WHERE ALL'S ACCUSTOMED, CEREMONIOUS

from How German Is It
by Walter Abish

What is a thing? he asked rhetorically. Brumhold, it must be pointed out, was not referring to a particular thing. He was not, for instance, referring to a modern apartment house, or a metal frame window, or an English lesson, but the thingliness that is intrinsic to all things, regardless of their merit, their usefulness, and the degree of their perfection. The reference to perfection, however antithetical and invidious it might appear to be to the thinking of Brumhold, was made because the mind is so created that it habitually sets up standards of perfection for everything: for marriage and for driving, for love affairs and for garden furniture, for table tennis and for gas ovens, for faces and for something as petty as the weather. And then, having established these standards, it sets up other standards of comparison, which serve, if nothing else, to confirm in the minds of most people that a great many things are less than perfect. (19 - 20)

In Bavaria as in the rest of Germany everyone is passionately in love with the outdoors, in love with what they refer to as Natur, and the splendid weather is an added inducement for the people to put on their Lederhosen and spend several hours serenely tramping through the woods, studiously looking at trees and birds, haphazardly selecting one path, then another, without exactly knowing where the path might lead. The splendid weather is also an inducement for everyone to breath deeply, to fill their lungs with the fresh country air. Ahhh. It is an inducement as well for many to open wide the windows of their apartments. Everywhere one looks one can see the open windows of Wurtenburg and, walking down one of the narrow and deserted side streets, one can overhear snatches of conversation of people who are preparing to go out for a walk or a drive in the country, or about to receive a visitor, or about to make love, their voices -- their lazy voices, their melodious voices, their shrill impatient voices expressing sentiments, feelings that can e said to t\match the warm summer day. And then, to boot, accompanying the snatches of conversation are the old popular tunes that surprisingly are still performed on the radio, because there still appears to be a great demand for old tunes, old marches . . . military bands, anything that will keep the past, the glorious German past, from being effaced forever' (26)

****************

Gerry at the Pergamon Museum, 2003
Eleven years ago (May 2003), Gerry and I found ourselves in Berlin for a few days. Our trip to Berlin was good, though way too short to do justice to such a wonderfully hopeful and optimistic place. I must say that it was easy to imagine myself living there, something I've never felt in London or Paris. The city resonates with positive energy, and is filled an inspiring juxtaposition of the very old / the brand new / and the rebuilt . . . plus dozens of incredible museums. We didn't make it to the Judisches Museum or Agyptisches Museum (to see the bust of Nefertiti), but we did see all the Greek & Roman antiquities at the Pergamon Museum -- which you may have heard of, though I must confess that I hadn't. For me, the most amazing thing there was the huge Gate of Ishtar and the Babylonian Processional Street, reconstructed from the days of Nebuchadnezzar (605 - 562 BC). No photograph or post card could possibly do it justice (check out the web for many good views)! You just have to stand there in awe, surrounded on both sides by towering walls of brilliant blue & gold glazed tile, decorated with an ongoing parade of sphinx-like lions and dragons. Astounding! High upon the walls in a neighboring room are huge oil paintings showing what the Persian desert looked like when these ruins were discovered (1899 - 1914) -- "Nothing beside remains. Round the decay / Of that colossal wreck, boundless and bare / The lone and level sands stretch far away":

Ozymandias
I met a traveller from an antique land
Who said: two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.

Percy Bysshe Shelley (1792 - 1822)
The incredible thing is that this wonder of the world was there, buried under all that sand! After seeing the Ishtar Gate, we went to see remnants of the Berlin Wall and spent a couple of hours at the Haus am Checkpoint Charlie, very sobering to read all the testimonials of so much despair. Another somber exhibit of human suffering is the Kathe-Kollwitz Museum, which was just a few doors down from our hotel, the Kempinski Bristol, on Fasenenstrasse. Also on this block is the charming Literaturhaus and Wintergarten outdoor cafe, where we stopped for an afternoon Kartoffelsuppe break.

The gala dinner for Gerry's conference was held at the Museum fur Kommunikation, where we got to descend into the dimly lit archives and see the famous Blue Mauritius stamp (again, great pictures can be found on the web if you want to see). Just for the novelty of it, we also stopped by the Musikinstrumenten Museum when we were in the area of the Philharmonic, just across from the very recently reconstructed Potsdamer Platz. From the outside we saw the Reichstag (didn't go up in the dome) and the Brandenburg Tor and the Martin Gropius Bau, which has fabulous exterior detailing.

In Berlin with my Panama Bag, 2003
Coincidentally, a few months before our trip, Sam's 4th grade class was assigned a travel project, in which math and geography joined hands, as he planned and budgeted the perfect vacation! Conveniently for us, Sam picked Berlin for his research topic! He was very busy using Yahoo and Expedia.com to search out tourist attractions, convenient hotel locations, reasonable airline fares, seasonable family entertainment, and available restaurant choices. We couldn't resist trying out some of the restaurants he had tracked down on the web -- the Dressler Restaurant, for dessert on our first evening in town, and Reinhard's, on our final evening, for a delicious dinner --complete with Berliner Weisse mit Schuss, rot for Gerry and grun pour moi! Gerry indulged in a big plate of German sausages and pork chops and black pudding, while I opted for one of the seasonal white asparagus specials. Yum!

Both places were on Kurfurstendamm, just within a few blocks of our hotel, even though Sam had no way of knowing that at the time of his research! In fact, he had picked an entirely different hotel for his fantasy trip, and our first activity upon arrival was to take a long walk up to the grounds of Schloss Charlottenburg and locate Sam's nearby hotel, the Econtel . . . which appeared very trendy indeed from where we were standing . . . and just happened to be across the street from a Sports Club and a vivid green soccer pitch! The perfect location for Sam! Now, how did he know that?!

I hope that before too many years pass, Sam -- and Ben as well -- will be able to see all of these sights for himself. I can see now that Sam was right -- Berlin is a great and nearly inexhaustible location for a family vacation. Next time, I'd love to stay over long enough for a day trip to Potsdam and Park Sanssouci and Pfaueninsel (all recommended by Sam in his report). Also, Berlin appears to be a wonderful city for students, so who knows, maybe one day when Ben and Sam are in college . . . . I think that covers the highlights of our brief stay -- not forgetting, of course, Gerry's Friday morning presentation, which was well attended despite the early hour of 7:30! We had only a few moments for shopping, but we used them wisely by rushing out to the nearest candy counter to stock up on Ritter Sport chocolate bars, a treat we grew to love back in the years when Peg lived in Frankfurt / Heidelburg and kept us supplied! The only stressful part of the trip was just the routine travelers' exhaustion which seemed to overtake us on the flight home to Philadelphia. But we're over that now and ready to go back again!

One last thing --
the cars there follow all the traffic lights
and yield to bikers and pedestrians . . .
that alone made it seem like heaven!

SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Saturday, June 14th

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

Like an Ant

ACCUSTOMED, CEREMONIOUS

The Visit of the Queen of Sheba to King Solomon
by Sir Edward John Poynter (1836 - 1919)

"Learn how to live
a joyful and constructive life in this world,
like ants. . . . The secret of a meaningful life
is not in the long-gone throne of Solomon and the like."
Sa'eb Tabrizi (1601 - 77)
Sa'eb's reference to Solomon's "long-gone throne" reminds me of the statue of Ozymandias:
" . . . Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand
Half sunk, a shattered visage lies . . .
And on the pedestal these words appear:
'My name is Ozymandias, King of Kings:
Look on my words ye Mighty and despair!'
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away."
Percy Bysshe Shelley (1792 - 1822)
The kingdoms of Solomon and Ozymandias did not endure, their vast achievements dwarfed by an ant and a grain of sand. Padgett Powell, author of The Interrogative Mood presents a series of existential questions concerning this same dilemma of time, size and perspective. His inquiries suggest that we may have placed ourselves too high above the ant, especially when it comes to grasping the secrets of the universe:

"Is the human individual more important
than the individual ant, and if so by a factor,
what would you say, of what?" (10)

"Will you sing with me now: Oh let us be heroes,
let us have emotions pure or not pure be men
or not men, let us buzz and rumble the hill and
dale of daily insignificance just as confidently,
just as threateningly, just as humbly in its
cute red velour as does the velvet ant?" (34)

"Is it really tenable that a person has a a soul,
whether he has a cell phone or not,
and a grasshopper does not?" (160)

[See my book blog for more insightful questions from
The Interrogative Mood by Padgett Powell (b 1952)]

I like the way the lines of this painting by Leonard Orr
can be seen to resemble the elaborate architecture
of an underground ant colony!
Plaster cast reconstruction of an ant nest,
as illustrated in Wikipedia

I turned to Orr's paintings, confident that I would find something to illustrate ant - ness (as in, ant colony, ant hill, ant nest, ant industriousness, and so forth). Len generously responded: "If my painting manages to convey antness (the quidditas of ant, as Stephen Dedalus perhaps said), I am pleased."

"Although not immediately obvious,
there are quite a few people hiding here it seems."
~ facebook comment to Leonard Orr from Andrea Livingston ~

I decided on this painting, in part because of the accompanying commentary. Livingston's remark fits right in with the question of how different, really, are humans from ants. When I mentioned that I also wanted to include the passage about termites from Samuel Beckett's novel Watt, Len was one step ahead of me:

"For the only way one can speak of nothing
is to speak of it as though it were something,
just as the only way one can speak of God is to
speak of him as though he were a man,
which to be sure he was, in a sense, for a time,
and as the only way one can speak of man,
even our anthropologists have realized that,
is to speak of him as though he were a termite." (77)

Samuel Beckett (1906 - 89)
In the following poems, it is the family dog whose superior comprehension of the meaning of life edges out any knowledge that we mere humans might possess:

from Her Grave
Does the hummingbird think he himself invented his crimson throat?
He is wiser than that, I think. . . .

Do the cranes crying out in the high clouds
think it is all their own music?

A dog comes to you and lives with you in your own house, but you
do not therefore own her as yo do not own the rain, or the
trees, or the laws which pertain to them.

Does the bear wandering in the autumn up the side of the hill
think all by herself she has imagined the refuge and the refreshment
of her long slumber?

A dog can never tell you what she knows from the
smells of the world, but you know, watching her, that you know
almost nothing.

Mary Oliver (b 1935)
from New and Selected Poems (14 - 16)


Trickle Up?
Does human evolution have a future?
Even our dog is troubled by the limited
significance of our presence. He whines
at the door wanting to get out.

Ernest Sandeen (1908 - 1997)
from the Collected Poems (278)

Does the bear wandering in the autumn up the side of the hill
think all by herself she has imagined the refuge and the refreshment
of her long slumber?
~ Mary Oliver ~

Beautiful watercolor evocation
of autumn and bear - ness
SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Friday, December 14th

Between now and then, read
THE QUOTIDIAN KIT ~ Thanks David Kimbrel ~
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com

As Darkness Falls Into Light

ACCUSTOMED, CEREMONIOUS

THE SHORTENING WINTER'S DAY IS NEAR A CLOSE














AFTERGLOW (L) & GLOWING SUNSET (R)
All three paintings by Scottish Landscape Artist,
Joseph Farquharson, 1846 - 1935
This past Sunday, I attended a choral evensong, one of my favorite autumn traditions. The service closed with the lovely hymn "The Day Thou Gavest," and the words and music of this evensong standard have been playing in my head ever since. You might also be familiar with the tune from Rick Wakeman's dramatic instrumental anthem for Anne Boleyn that Gerry pointed me in the direction of: click here to enjoy in concert! You will also find that a shorter version appears on Wakeman's CD The Six Wives of Henry VIII.

The music, "St. Clement," was composed either by the Rev. Clement Cotteville Schofield or by Sir Arthur Sullivan; and the lyrics were written by British hymnologist John Ellerton in 1870:

The Day Thou Gavest
(click to hear choral rendition)

The day thou gavest, Lord, is ended;
The darkness falls at Thy behest;
To Thee our morning hymns ascended,
Thy praise shall sanctify our rest.

We thank Thee that Thy church unsleeping,
While earth rolls onward into light,
Through all the world her watch is keeping,
And rests not now by day or night.

As o'er each continent and island
The dawn leads on another day,
The voice of prayer is never silent,
Nor dies the strain of praise away.

The sun that bids us rest is waking
Our brethren 'neath the western sky,
And hour by hour fresh lips are making
Thy wondrous doings heard on high.

So be it, Lord! Thy throne shall never,
Like earth's proud empires, pass away;
Thy kingdom stands, and grows for ever,
Till all Thy creatures own Thy sway.

by John Ellerton

This beautiful hymn ranks as one of the top choices for funeral music, and no wonder -- the first stanza is a perfect metaphor for the close of life, the end of day, and the sad reality that this conclusion rarely comes at our own behest, but at that of another, greater power. There's also a little bit of Ozymandias lurking in the last stanza -- sand more vast than any proud empire could ever hope to be.

Hong Kong Sunset
Beyond the first stanza, why do I like this hymn so much? Queen Victoria favored it as a fitting metaphor for her Empire "on which the sun never set." It was sung at her Diamond Jubilee in 1897 and again in 1997 when Britain handed control of Hong Kong to China. However, I have never counted myself an imperialist, nor do I claim to be a great proponent of the the church triumphant or the one, holy, catholic and apostolic church.

What I hear in these lines -- and in the word church -- is a reference to the power of the universe, a much larger force than mere humanity, untainted by motive, striving not in its own best interest but just being, in a way that's difficult for an earthling to grasp. It feels to me like what The Prophet calls "Life's longing for itself."

Perhaps the Universe too has a longing for itself. The world longs to turn; the sun longs to set. This is precisely what Anne Sexton suggests in her poem "Lament." She offers this description of how the universe responds to a day of tragedy:

"The supper dishes are over and the sun
unaccustomed to anything else
goes all the way down."
The humans weep at the loss of a friend; the sun does not know any different.

The unsleeping church in Ellerton's hymn reminds me of the parental voice in the old Welsh lullaby, "All Through the Night," a song assuring us that love alone is keeping watch:

Soft the drowsy hours are creeping,
Hill and vale in slumber sleeping
Love alone its watch is keeping,
All through the night . . .

While the weary world is sleeping,
All through the night . . .

~ as sung by Connie Kaldor
on her CD Lullaby Berceuse

Another beautiful rendition of this lullaby can be heard in the Denholm Elliot film version of A Child's Christmas in Wales

The most beautiful close of day paintings that I know of are those by Joseph Farquharson who painted numerous vividly hued winter sunsets, all with such evocative names as "The Shortening Winter's Day is Near a Close" (at top), "Afterglow" and "Glowing Sunset" (see above), "Day's Dying Glow," "The Sun Had Closed the Winter's Day,"
and this one --
Glow'd With Tints of Evening
SEE YOU IN TWO WEEKS FOR MY
Next Fortnightly Post
Monday, November 14, 2011

Between now and then, read
THE QUOTIDIAN KIT
my shorter, almost daily blog posts
www.dailykitticarriker.blogspot.com

Looking for a good book? Try
KITTI'S LIST
my running list of recent reading
www.kittislist.blogspot.com